tag:blogger.com,1999:blog-82402706177966085342024-03-13T12:46:11.682-07:00Eesti MuusikaarvustajaEesti Muusikaarvustaja blogis ilmuvad retsensioonid on loodud muusikakriitika erikursuse raames. Esimesed tekstid ilmusid aastail 2003-2004 EMTA muusikateaduse tudengite ühisprojekti raames. Esimene MuKriErikursus toimus Tallinna Ülikooli Kunstide Instituudi Muusika osakonnas 2007. Alates 2010 kuulub Eesti Muusikaarvustaja LUUBI ALL Kultuurikriitika foorumi www.luubiall.ee koosseisu.Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.comBlogger85125tag:blogger.com,1999:blog-8240270617796608534.post-70320839261294684202013-08-25T04:11:00.003-07:002013-08-25T04:11:36.494-07:00Mile Zero Dance liikmed reflekteerivad äsja lõppenud festivali HTF2013<br />
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Võtis veidi aega, aga nüüd võib lugeda <a href="http://tants.org/" target="_blank">HTF2013</a> sündmusi kokkuvõtevat vestlusringi MZD liikmetega ka eesti keeles.</div>
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<a href="http://4.bp.blogspot.com/-UX8TkeKZO8c/UgQJ1M8Cs9I/AAAAAAAACPw/wEFD3P3Pfc4/s1600/MDZ-070813.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="http://4.bp.blogspot.com/-UX8TkeKZO8c/UgQJ1M8Cs9I/AAAAAAAACPw/wEFD3P3Pfc4/s320/MDZ-070813.jpg" width="320" /></a></div>
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MDZ staabis. <span style="text-align: justify;">Loe rohkem etenduse ja MDZ liikmete kohta <a href="http://hiiumaatantsufestival.blogspot.com/2013/08/interaktiivsus-rituaalsus-ja-live.html" target="_blank">siin</a>.</span></div>
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<b>... väikesed lapsed on kõige inspireerivamad tantsijad </b><br />
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11. augusti pärastlõunal toimus vestlusring Gerry Morita, Patrick Arès-Pilon, Shawn Pinchbeck ja Gerhard Locki vahel Heltermaal praami oodates lõppenud festivali teemadel.</div>
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<a href="http://2.bp.blogspot.com/-XnZvUEj_gLU/Uhh5ugTxV4I/AAAAAAAACk8/PYBHANCf7Z4/s1600/HTF2013-Gerry-during-workshop.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://2.bp.blogspot.com/-XnZvUEj_gLU/Uhh5ugTxV4I/AAAAAAAACk8/PYBHANCf7Z4/s320/HTF2013-Gerry-during-workshop.jpg" width="229" /></a></div>
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Gerry töötubade ajal</div>
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<a href="http://3.bp.blogspot.com/-7hP6jODJfOQ/Uhh55rcv92I/AAAAAAAAClE/mu6YHJXjej4/s1600/Kiigeplatsil-Patrick-Shawn-small.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://3.bp.blogspot.com/-7hP6jODJfOQ/Uhh55rcv92I/AAAAAAAAClE/mu6YHJXjej4/s320/Kiigeplatsil-Patrick-Shawn-small.jpg" width="219" /></a></div>
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Patrick ja Shawn Kassari kiigeplatsil</div>
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<b>Gerhard:</b> Kuidas teile festival meeldis?</div>
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<b>Gerry:</b> Minu meelest toimis festival kenasti. Osalejad olid väga innukad. Tundub, et tegemist on väga hea võimalusega nii noorte ja keskkooli- kui ka ülikooli tasemel tantsijatele kohtuda suvel ja teha koos tööd. Mulle meeldis, kui palju erinevaid töötubasid pakuti. Õpetamise maht oli uskumatult kõrge. Tajusin palju sõbramehelikkus ja inimlikku vaimu erinevatelt paikadelt Hiiumaale tulnud tantsijate vahel. Sellised mõtted siis :) </div>
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<b>Gerhard:</b> Kuidas tundusid õhtused <a href="http://hiiumaatantsufestival.blogspot.com/2013/08/11-augusti-etendused-performances.html" target="_blank">etendused</a>? </div>
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<b>Gerry:</b> Ka siin võib välja tuua, et näidatu oli väga erinev, mulle tõesti meeldisid lapsed, kes täna esinesid kiriku varemete juures, neis oli nii palju enthusiasm ja loomingulisust. Ma nägin, et nende kunstiline panus oli väga loomingulisel tasemel. Minu meelest need väikesed-väikesed lapsed on kõige inspireerivamad tantsijad, sest nad tuletasid mulle meelde, miks ma tantsin :) </div>
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<a href="http://2.bp.blogspot.com/-aTIASIh6uE0/Ug5ocH-87AI/AAAAAAAACjE/4t2s6GriC0U/s1600/Etendus-Loovtants-02.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="http://2.bp.blogspot.com/-aTIASIh6uE0/Ug5ocH-87AI/AAAAAAAACjE/4t2s6GriC0U/s320/Etendus-Loovtants-02.jpg" width="320" /></a></div>
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Lapsed esinemas kiriku ees.</div>
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Loe rohkem allpool...</div>
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<b>Patrick:</b> Jah, see oli lahe :)</div>
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<b>Gerhard:</b> Kuidas olete rahul enda <a href="http://hiiumaatantsufestival.blogspot.com/2013/08/visual-splice-voimas-kogemus-impressive.html" target="_blank">esinemisega</a>?</div>
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<b>Gerry:</b> Meil oli vaid üks päev üles ehitamiseks ja proovide läbi viimiseks laval. Ruum oli väga ilus ja tehnilise toimkonnaga oli nii hea töötada...</div>
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<b>Patrick:</b> … suurepärane toimkond... </div>
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<b>Gerry:</b> … jah, suurepärane toimkond. Oleks suurepärane olnud saada rohkem aega selles ruumis töötada. Ruumi lagi oli vapustav. Jah, ma arvan, et meie esinemine läks päris hästi. </div>
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<a href="http://1.bp.blogspot.com/-eksIeHwSo2o/Uhh_sIPXDzI/AAAAAAAAClU/ZsG8WPdVREw/s1600/HTF2013-Kultuurikeskus-ceiling.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="http://1.bp.blogspot.com/-eksIeHwSo2o/Uhh_sIPXDzI/AAAAAAAAClU/ZsG8WPdVREw/s320/HTF2013-Kultuurikeskus-ceiling.jpg" width="320" /></a></div>
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Käina Huvi- ja kultuurikeskuse lagi.</div>
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<b>Gerhard:</b> Teie etendus koosnes kahest osast, mille seos tegelikult väga tihe ei olnud, kas pole? Kas panite kaks erinevat asja kokku?</div>
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<b>Gerry:</b> Etenduse esimese osa idee oli kasutada spetsiifilist situatsiooni, ebakonventsionaalset vaatamiskeskkonda [lava taga] ja alles siis astuda tavalisele teatrilavale. Ja ilmselt selles on erinev energia alustamaks etendust, sest algus oli väga aeglane ja unistuslik ... ja sellise mentaalse ruumiga ma soovisingi et publik vaataks teist osa. Sedalaadi unistuslik, mälestusi täis mentaalne ruum ... ja isegi, kui energia teises osas oli erinev, vaatamise avatus on sama: see on väga avatud ja pingevaba nagu hoomamatu unistus. See on isegi süreaalsem kogemus kui tavaline etendus, see ei soovigi meelt lahutada, me katsume painutada aega, kasutada aega materjalina tantsus. Isegi kui meil on heli ja pilt ja kehaliikumist jääb aeg peamiseks materjaliks. Eesmärk on võimaldada inimestel tajuda aega uuel viisil. See on üks neist suurtest ideedest millega ma töötan. </div>
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<b>Gerhard: </b>Kuidas Sulle meeldisid Sinu enda <a href="http://hiiumaatantsufestival.blogspot.com/2013/08/hetkes-kulgemine-labi.html" target="_blank">töötoad</a>?</div>
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<b>Gerry:</b> Töötoad olid tegelikult üsna lühikesed. Ma nägin igat rühma ainult kaks korda [sest etenduse ettevalmistuspäeval ta ei õpetanud – GL]. Ma loodan, et sain anda neile väikese esmamulje nõnda töötamisest, sest tegelikult kestavad päris-kontaktimprovisatsiooni tunnid kolm tundi, eesmärgiga, et keha muudaks aega. Keha liikumise kiirus on tegelikult väga aeglane. Õpetada keha oma enda kiirusel on väga aeglane protsess. See oli mitmele osalejale päris uus asi, mitmel oli kogemusi sel alal. Ma arvan, et kõik need noored olid väga avatud. Nad proovisid kõike ja keegi ei saanud viga. Ma arvan, nad õpisid midagi uut improvisatsioonist. Mõnedele vanematest osalejatest püüdsin selgitada ka kontaktimprovisatsiooni metafüüsilist tausta tantsust, loodusest ja gravitatsioonist. Nad võib-olla jätsid neid ideid meelde ja rakendavad neid nende enda tegevuses.<br />
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<a href="http://4.bp.blogspot.com/-sW7jg4hbfFc/Ugs1nq9K0WI/AAAAAAAACgE/Op_ctRBx9gY/s1600/Gerry-10.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="http://4.bp.blogspot.com/-sW7jg4hbfFc/Ugs1nq9K0WI/AAAAAAAACgE/Op_ctRBx9gY/s320/Gerry-10.jpg" width="320" /></a></div>
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Gerry seletamas kontaktimprovisatsiooni <span style="text-align: justify;">metafüüsilist tausta.</span></div>
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<b>Gerhard:</b> Nii palju kui Sul oli võimalik jälgida festivali, on Sul võimalik anda mõnda nõuannet või tuua välja mis Sulle eriti meeldis või mis oli problemaatiline?</div>
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<b>Gerry:</b> Eristus [töötubade] osalejate ja (eel)professionaalsete tantsijate vahel oli natuke kummaline, ma ei näinud osa tantsijaid mitte enne kui tänastes etendustes [ta ilmselt viitab siin lavastusprotsesside osalejatele – GL]. Ma oleksin võinud kõrgemal tasemel õpetada ja oleksin soovinud rohkem neid [tantsijaid oma rühmades]... see oli kummaline eristus.</div>
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Ma arvan, viis, kuidas kuidas töötada muusikaga on midagi, mida tantsijad peavad rohkem arvestama, selle asemel et kasutada Hollywoodi muusikat või Beyonce. Tantsijad peavad rohkem kasutama originaalset ja kõrgekvaliteetset muusikat. Samuti, töötades heliga ei pea see alati kokku minema liikumisega, vaja oleks mõnda kontarsti ja tunnetust rakendada muusikat kui kunstivormi. Minu meelest on see midagi, mida just noored tantsijad peavad avastama. Tõenäoliselt oleks suurepärane kasutada sel festivalil ka live-muusikat töötubades. </div>
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<b>Gerhard:</b> Tõepoolest, olen seda viimast rakendanud 2011 oma koreomuusikalistes töötubades ja etenduses kui osa kontseptsioonist mängides (klaveril) live tantsijate liikumisi saates, samuti oli meil live-muusikud erinevates (nii professionaalsetes kui ka lavastusprotsesside) etendustes eelnevatel aastatel...</div>
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<b>Gerry:</b> Jah, see on tõesti hea, et tantsijad kuulavad live-muusikat ja kasutada seda ka töötubades ... </div>
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<b>Gerhard:</b> … see parendab kommunikatsiooni ...</div>
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<b>Gerry:</b> … ja koreograafiale on see hea, samuti ... professionaalses koreograafias muusika peaks olema nii originaalne kui võimalik. Võib-olla finantsid ei luba, kuid isegi väikesed lapsed kasutasid pulki ja lõid enda helid. Mulle meeldis see väljakutse. </div>
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<b>Gerhard:</b> Nii palju kui Sul oli aega midagi näha, kuidas Sulle Hiiumaa meeldis? </div>
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<b>Gerry:</b> Ma ei saanud tegelikult Hiiumaad väga kogeda, sest olin tegevuses iga päev. Sellel ühel väljasõidupäev, kui me sõitsime mere lähedusse [Kassari], tundus see koht väga kena. Aga ma ei näinud väga palju, sest õpetasin või esinemas või vaatasin teisi etendusi. Selles mõttes oli see paika pandud kavaga festival. Ja kontakt inimestega oli vähe, natuke oli, aga oleks võinud olla rohkem :) </div>
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<b>Gerhard:</b> Patrick, kuidas Sulle meeldis meie reis <a href="http://hiiumaatantsufestival.blogspot.com/2013/08/exploring-beautiful-hiiumaa.html" target="_blank">fiomivõtete välikohale</a>, kus me suurtes silodes improviseerisime?</div>
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<b>Patrick:</b> Ja, see oli huvitav.</div>
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<b>Gerhard:</b> Oled Sa rahul oma osaga oma etenduses? Kas kõik töötas hästi?</div>
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<b>Patrick:</b> Jah :)</div>
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<b>Gerry:</b> Mulle meeldisid vanemad oma väikeste lastega. Oleks möeldav töötoad väikeste laste ja vanematega koos...</div>
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<b>Patrick:</b> … jah, mõlemad koos tantsimas :) …</div>
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<b>Gerhard:</b> … tõepoolest, sel aastal esimest korda pakuti töötuba vanematele, festival eksperimenteerib ja areneb...</div>
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<b>Gerhard:</b> …ja Shawn, oled Sa rahul oma osaga oma etenduses?</div>
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<b>Shawn:</b> Jah, olin päris rahul esinemisega, see töötas kenasti, tehniliselt, ja kõlas päris hästi, kokkuvõtes see oli väga hea. </div>
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<b>Gerhard:</b> … ja meie ühine <a href="http://hiiumaatantsufestival.blogspot.com/2013/08/four-hours-4-tundi-nonstop-trance.html" target="_blank">improvisatsiooniline jämmimine</a>?</div>
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<b>Shawn:</b> See oli lahe. Ma ei tegele iga päev vj'inguga ja see oli kena, natuke katsetada, ja inimestele see meeldis, see on hea :) ... üsna kreisi kohati ja abstraktne ... </div>
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<b>Gerhard:</b> … ja meie väliimprovisatsioon <a href="http://hiiumaatantsufestival.blogspot.com/2013/08/exploring-beautiful-hiiumaa.html" target="_blank">filmivõtete kohas</a> silodes... </div>
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<b>Shawn:</b> … jah, silodes :), vapustav, see oli samuti lahe, kahtlemata, kas Sa kuulasid neid lindistusi juba?</div>
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<b>Gerhard:</b> … jah, mulle meeldis viimane eriti, rohkem abstraktne, kuid väike tervik, lõpuks läksin üle Bachilikele struktuuridele – <a href="https://soundcloud.com/impro-loom/htf2013-cistern-improvisations" target="_blank">alustades mürast me alati jõuame Bach</a>ini väja, see on kindel ;) </div>
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<b>Shawn:</b> Jah, mulle see meeldis ja mulle meeldis festival tervikuna.</div>
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<b>Gerhard:</b> Kas on Sul mõnda soovitust või ideeid veel jagada?</div>
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<b>Shawn:</b> Tegelikult mitte, ma ei osalenud töötubades, seetõttu puudub mul ülevaade sellest, mis seal toimus. Hea tagasiside andmiseks peaksin olema rohkem protsessi sees.</div>
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<b>Gerhard:</b> Ok, meie praam saabus, me peaks lõpetama oma vestlust. Palju tänu teile kõigile!</div>
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Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-61793523900606370932013-08-25T04:09:00.001-07:002013-08-25T04:09:34.854-07:00Mile Zero Dance members reflecting the HTF2013 festival<br />
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It took some time to get it online, but now here comes: a concluding talk with MDZ members reflecting <a href="http://tants.org/" target="_blank">HTF2013</a>.</div>
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<a href="http://4.bp.blogspot.com/-UX8TkeKZO8c/UgQJ1M8Cs9I/AAAAAAAACPw/wEFD3P3Pfc4/s1600/MDZ-070813.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="240" src="http://4.bp.blogspot.com/-UX8TkeKZO8c/UgQJ1M8Cs9I/AAAAAAAACPw/wEFD3P3Pfc4/s320/MDZ-070813.jpg" width="320" /></a></div>
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MDZ in the staap. <span style="text-align: justify;">Read more about the performance and the MDZ members </span><a href="http://hiiumaatantsufestival.blogspot.com/2013/08/interactivity-ritual-and-liveness-as.html" style="text-align: justify;" target="_blank">here</a>.</div>
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<span style="font-size: small;"><b>... those little kids are the most inspiring dancers</b></span></div>
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<span style="font-size: small;">August 11th afternoon, while waiting the ferry in Heltermaa, Gerry Morita, Patrick Arès-Pilon, Shawn Pinchbeck and Gerhard Lock had a little talk about the festival.</span></div>
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<span style="font-size: small;">Gerry during the workshops.</span><br />
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<span style="font-size: small;">Patrick and Shawn at the Swing field in Kassari.</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> How did you like the festival?</span></div>
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<span style="font-size: small;"><b>Gerry: </b>I think the festival came together very nicely. There is a lot of eagerness on the part of the students. It looked like a very good opportunity for the very young dancers and high school students and new university graduates to get together in summer and share their work. I enjoyed the variety of classes offered. The amount of teaching was incredibly high. There was a lot of camaraderie grassroots humanity spirits with dancers from different places reaching beautiful Hiiumaa. Thats what I thought :)</span></div>
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<span style="font-size: small;"><b>Gerhard: </b>What do you think of the <a href="http://hiiumaatantsufestival.blogspot.com/2013/08/11-augusti-etendused-performances.html" target="_blank">evening performances</a>?</span></div>
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<span style="font-size: small;"><b>Gerry:</b> Again, there was a variety of levels being shown, I really enjoyed the kids today outside by the church, they have shown so much enthusiasm and creativity. I can see their own artistic input at a very creative level. I think for me those little-little kids are the most inspiring dancers because it reminds me about why I do dance :)</span></div>
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Kids performing at the church.</div>
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<span style="font-size: small;"><b>Patrick:</b> Yes, it was fun :)</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> And how are you satisfied with your own <a href="http://hiiumaatantsufestival.blogspot.com/2013/08/visual-splice-voimas-kogemus-impressive.html" target="_blank">performance</a>?</span></div>
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<span style="font-size: small;"><b>Gerry: </b>We had only one day to set up and rehearse in the space. The space was very beautiful and the technical crew was so good to work with...</span></div>
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<span style="font-size: small;"><span lang="et-EE"><b>Patrick:</b> … an excellent crew…</span></span></div>
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<span style="font-size: small;"><b>Gerry:</b> … yes, an excellent crew. It would have been great to have had more time working in that specific space. The ceiling of the space was so great. And yeah, I think our performance went quite well.</span></div>
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<span style="font-size: small;">Ceiling of the stage in the Käina Huvi- ja kultuurikeskus.</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> Your performance consisted of two parts which actually where not connected so tightly, isn't it? Did you put two different things together?</span></div>
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<span style="font-size: small;"><b>Gerry:</b> The idea was with the first piece to have like a site specific situation, an unusual viewing and than to enter the regular theatre afterwards. And maybe they have a different energy at the start of the show because they watched that beginning which was slow and dreamy … thats the head space I wanted people to watch the second part with. That kind of dreamy, memory head space … and even if the energy was quite different in part two its the same kind of way of watching: its very open and relaxed like an elusive dream. It's more a surreal type of experience than a regular performance, its not really trying to be entertaining, it's trying to stretch time, using time as the material for the dance. So even if there is sound and image and body moving the material is time. To make people to experience time in a new way. Thats one of the big ideas I work with.</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> And how did you enjoy the <a href="http://hiiumaatantsufestival.blogspot.com/2013/08/hetkes-kulgemine-labi.html" target="_blank">classes</a>?</span></div>
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<span style="font-size: small;"><b>Gerry:</b> The classes where actually very short. I saw each group of students only two times [during her performance rehearsal day she didn't teach - GL]. I hope I could give them just a small taste with this kind of work, because to do really contact improvisation its a three hour class usually to get the body to, again, change time. The body speed is actually very very slow. To teach the body at its own speed is very slow. So its a very new thing for some of the students and some of the students had experiences. I thought all the kids where very open-minded. They tried everything and nobody got hurt. I think they could understand something new about improvisation. To some of the older students I was trying to explain metaphysical lessons about dance, nature and gravity. So maybe the can catch some of that ideas and put it in their own dances</span></div>
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<span style="font-size: small;">Gerry explaining </span>metaphysical lessons about dance, nature and gravity.</div>
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<span style="font-size: small;"><b>Gerhard:</b> As much as you could observe the festival could you give some advice or underline something you especially liked or what was problematic?</span></div>
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<span style="font-size: small;"><b>Gerry:</b> The separation between the students and the (pre)professional dancers was a little bit bizarre, so I never saw some of the dancers until today in the last performances [she obviously means the staging process participants – GL]. So I would have thaught a higher level and it would have been good to have more of them… it was a bizarre separation.</span></div>
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<span style="font-size: small;">I think the way of working with music is something dancers need to think about more instead of using only prerecorded music from Hollywood or Beyonce. Dancers really need to think about original, high quality sound. Also to work with sound it doesn't exactly match with the dance, to have some contrast and the feeling to use the music as an art form. I think thats something that dancers at a young age need to discover. Probably it would be really great to have for this festival live accompaniment for the dance classes.</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> Indeed, I have done it in 2011 in my choreomusical (music-and-dance) relation classes and a performance where as a part of the concept I played (on the piano) live to the movements of the dancers, and we had also live musicians in several (both professional and staging process) performances during the last years…</span></div>
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<span style="font-size: small;"><b>Gerry:</b> Yeah, its really good for the dancers to hear live music and to have that in classes as well…</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> … it enhances the communication…</span></div>
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<span style="font-size: small;"><b>Gerry:</b> … and for the choreography, too … doing a professional choreography the music should be as original as possible. Maybe there is a tight budget, but even the little kids were hitting the sticks and making their own sounds. I liked that challenge.</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> As much as you had time, did you like Hiiumaa?</span></div>
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<span style="font-size: small;"><b>Gerry:</b> I didn't really experience Hiiumaa because I was busy every day. Just the one day we went near the ocean [Kassari] that seamed very nice. But I didn't get to see very much because I was either teaching or performing or watching other shows. So it was a contained festival in that way. And there was not much connection with the people, a little bit, but there could be more :)</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> Patrick, did you enjoy the <a href="http://hiiumaatantsufestival.blogspot.com/2013/08/exploring-beautiful-hiiumaa.html" target="_blank">travel to the film spot place</a> where we improvised in the cisterns?</span></div>
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<span style="font-size: small;"><b>Patrick: </b>Yes it was interesting.</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> Are you satisfied with your part of the performance? All worked well?</span></div>
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<span style="font-size: small;"><b>Patrick:</b> Yes :)</span></div>
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<span style="font-size: small;"><b>Gerry: </b>I liked all the parents with their little kids. There could be even classes with little kids and parents together...</span></div>
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<span style="font-size: small;"><b>Patrick:</b> … yeah, both doing dance together :) …</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> … indeed, this year first time extra classes for parents where offered, the festival experiments and develops…</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> …and Shawn, are you satisfied with your part of the show?</span></div>
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<span style="font-size: small;"><b>Shawn</b>: Yes, I was pretty happy with the performance, it went fairly well, technically, and it sounded pretty good, so overall it was very good.</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> … and our joint <a href="http://hiiumaatantsufestival.blogspot.com/2013/08/four-hours-4-tundi-nonstop-trance.html" target="_blank">improvisation jamm session</a>?</span></div>
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<span style="font-size: small;"><b>Shawn: </b>That was fun. I don't do vj every day so it was nice to explore that a little bit, and people liked it , so thats good :) … pretty crazy and abstract…</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> … and our <a href="http://hiiumaatantsufestival.blogspot.com/2013/08/exploring-beautiful-hiiumaa.html" target="_blank">field improvisation at the film spot</a> in the cisternes...</span></div>
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<span style="font-size: small;"><b>Shawn:</b> … oh yeah, in the cisterns :) yes, amazing, it was good fun, yeah, did you listened to them?</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> … yes, I like the last one most, its more abstract, but a little whole, in the end I went over to Bach-like structures - <a href="https://soundcloud.com/impro-loom/htf2013-cistern-improvisations" target="_blank">starting from noise we always get to Bach</a>, thats for sure ;)</span></div>
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<span style="font-size: small;"><b>Shawn:</b> yes, I enjoyed that and I liked the festival.</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> Do you have some recommendations or ideas?</span></div>
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<span style="font-size: small;"><b>Shawn: </b>Actually no, I didn't take part of the workshops, so I have no clear sense of what happened there. So I think I should be more involved to give good feedback.</span></div>
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<span style="font-size: small;"><b>Gerhard:</b> Ok, our Ferry arrives, we should now end the talk. Thank you all very much!</span></div>
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Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-38455907047737507892013-08-06T04:57:00.001-07:002013-08-06T04:57:12.778-07:00Interactivity, ritual and liveness as driving forces for an exceptional flow experience of a collaborative border-crossing event at the Hiiumaa Dance Festival 2013<br />
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An introduction to the performance “Visual Splice” (2013), Friday, August 9, 2013, 20.30 in Käina Huvi- ja Kultuurikeskus, compiled by Gerhard Lock (musicologist, composer, music critic). Read this text also on the <a href="http://hiiumaatantsufestival.blogspot.com/" target="_blank">HTF blog pages</a>.<br />
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Since its founding in 2010 by young choreographers from the Tallinn University Department of Choreography, the <a href="http://tants.org/" target="_blank">Hiiumaa Dance Festival (HTF)</a> is known for its special atmosphere and a broad spectrum of courses, events and performances featuring both young choreographers and recognized professionals. Having collaborated with choreographers and dancers like Florent Hamon (France) in 2010, Cid Pearlman, David King and Alexis Steeves (USA) in 2011 and 2012, also 2013 an internationally renowned dancer and choreographer, Gerry Morita (Canada), is among the course teachers. This year’s festival features a performance by the Canadian company Mile Zero Dance with scenographer Patrick Arès-Pilon and Tallinn-based Canadian composer Shawn Pinchbeck.<br />
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<a href="http://3.bp.blogspot.com/-84NVtdkDRYw/Uf7FZJgI8jI/AAAAAAAAB-s/B9QHMTixIZc/s1600/visual-splice_.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="http://3.bp.blogspot.com/-84NVtdkDRYw/Uf7FZJgI8jI/AAAAAAAAB-s/B9QHMTixIZc/s320/visual-splice_.png" width="320" /></a></div>
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<span style="font-size: x-small; text-align: justify;">Gerry Morita </span><span style="font-size: x-small; text-align: justify;"> (picture </span><span style="font-size: x-small;"><a href="http://www.spinchbeck.com/sound/?page_id=16" style="text-align: justify;">pinchbeck.com</a><span style="text-align: justify;">)</span></span></div>
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Mile Zero Dance (MZD) is an Edmonton, Canada-based, non-profit charitable organization founded in 1985, committed to the cultivation of original contemporary dance for more than 25 years. The interdisciplinary collaboration between Gerry Morita, Patrick Arès-Pilon and Shawn Pinchbeck started approximately three years ago, and they will give their first international premiere during the Hiiumaa Dance Festival.<br />
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<a href="http://3.bp.blogspot.com/-UuUH9lSBRsU/Uf6551OTHZI/AAAAAAAAB-I/wosM-YhC3bg/s1600/visual-splice1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="213" src="http://3.bp.blogspot.com/-UuUH9lSBRsU/Uf6551OTHZI/AAAAAAAAB-I/wosM-YhC3bg/s320/visual-splice1.jpg" width="320" /></a></div>
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<span style="font-size: x-small; text-align: justify;">Shawn Pinchbeck (picture </span><span style="font-size: x-small;"><a href="http://www.spinchbeck.com/sound/?page_id=16" style="text-align: justify;">pinchbeck.com</a><span style="text-align: justify;">)</span></span></div>
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To get to know more about their recent projects, among them “Visual Splice” (2013) which will be performed during Hiiumaa Dance Festival, I recently met Shawn Pinchbeck in Tallinn and communicated via E-mail with Gerry Morita. Both are widely recognized artists in their home countries and abroad: Shawn has been tightly connected with Estonia as a teacher (at the Estonian Arts Academy and Tallinn University Baltic Film and Media School) and artist (e.g. cooperating with Fine 5 Dance Theatre and new media artists like Piibe Piirma) since 2001. Gerry has been working mostly in Canada and Japan and since 2005 she has been artistic director of MZD. Patrick Arès-Pilon is a young emerging visual artist who works with film and stereographic images organizing so-called peep shows. His scenarios are rather strange and he uses special effects like scratched film, drawings on film and burning film live on stage (an effect which was also seen in the closing performance of the 2011 Tallinn European Culture Capital).<br />
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<span style="font-size: x-small; text-align: justify;">Gerry Morita </span><span style="font-size: x-small;"><span style="text-align: justify;"> (picture </span><a href="http://www.spinchbeck.com/sound/?page_id=16" style="text-align: justify;">pinchbeck.com</a><span style="text-align: justify;">)</span></span></div>
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Using a lot of special technical equipment like tactile, old school hand-made films produced by Patrick Arès-Pilon, which are shown with real film projectors (nowadays quite rare), their performances are highly experimental and interactive. Improvisation plays a major role in their concept of a flexible flow of creativity, but the overall structure is well-planned and organized involving prerecorded sounds and films on one hand and improvised activity on stage including live-electronics and live-film effects on the other hand. The structure of their performances is kept rather clear, the syncronization of activities on stage with the sound is important but not overemphazised as pure effect. To my question whether their shows may be called contemporary dance, theatre or dramatical, visualized radiophonic, embodied film performances or something else (or all together) Gerry says that she would simply call it performance and let people experience it openly. “The main aspect of it for me is its liveness. You cannot experience our work over the Internet or on your iPhone. You need to attend a performance and be a part of a group of people witnessing it together. Other descriptors limit the work for me and create a set of expectations that may not be accurate”. Shawn describes that beside Gerry, who as professional dancer uses also several objects like iPhone or material stage attributes, also Patrick and Shawn himself will be moving on stage in accordance to their conceptual functions and technical possibilities. Aiming to enhance the liveness, several film projectors will be carried around on stage by Patrick in order to elaborate projections, perspectives and light effects. Shawn will be triggering sound effects using sensors, contact microphones and iPhones and, as a surprise, playing an object to be chosen for every show newly to make unexpected sounds caused by movement live on stage. Indeed, today’s electro-accoustic, electronic and even laptop music scene has been evolving strongly into interactivity and live aspects because of improving possibilities of technology. Shawn underlines that he always tries “to have a performative aspect” in his projects. Gerry points out that she “loves this ritualistic aspect of live performance”. And indeed, the things that drive her to create performance “is usually something around politics, (lack of) communication, or ritual”.<br />
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<span style="font-size: x-small; text-align: justify;">Gerry Morita </span><span style="font-size: x-small; text-align: justify;"> (picture </span><span style="font-size: x-small;"><a href="http://www.spinchbeck.com/sound/?page_id=16" style="text-align: justify;">pinchbeck.com</a><span style="text-align: justify;">)</span></span></div>
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Gerry has been active both as choreographer and dancer, she mainly uses scores and methods of improvisation when she creates work herself, because she is more fluid that way and can find unexpected things while in the moment of performance: “So my method of choreography is improvisation. I allow for chaos to erupt in my surroundings, and the piece is constructed in a way that allows for or even encourages this aspect. I got this from my time working in dance in Japan.” The Japanese influences are very strong in her work, as are the works of Pina Bausch, DV8, and Mary Wigman. She underlines “I am less drawn to American modern dance, although I have studied much contact improvisation and postmodern dance from the Judson Church originators. I am equally influenced by performance art. I find the dance scene in Europe to be congruent with my way of working and thinking as a dancer.”</div>
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Concerning interdisciplinarity, interactivity and collaboration with her artistic partners she describes her function and role in this work as “changing continually and that is one of the things I enjoy about working interdisciplinarily.“ She underlines that “how we work as collaborators evolves with the work, and a language emerges. There is a lot of interest for me in working with people who are so competent in their own media who wish to extend their skills across to other areas. That is an exciting things to do and be part of and to witness as well.”</div>
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To conclude Hiiumaa Dance Festival 2013 invites the interested audience to be curious in awaiting the international and Estonian premiere of “Visual Splice” in order to experience outstanding artists who, on the edge of our time and technical possibilities, synthesize sound and movement, images and dancing as well as objects and film into an extraordinary live performance event.</div>
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<b>Visual Splice (2013)</b></div>
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Gerry Morita, Artistic Director and Performer</div>
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Shawn Pinchbeck, Composer, live-electronics</div>
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Patrick Arès-Pilon, Film Projections/Scenography</div>
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Friday, August 9, 2013, 20.30 in Käina Huvi- ja Kultuurikeskus</div>
Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-37352917827400885492013-08-06T04:54:00.000-07:002013-08-06T04:54:05.882-07:00Interaktiivsus, rituaalsus ja “live aspekt” liikumapaneva jõuna erakordsel valdkondade vahelisel vahetu kogemuse sündmusel Hiiumaa Tantsufestivalil 2013<br />
Etenduse “Visual Splice”* (2013) tutvustus, mis toimub reedel, 9. augustil 2013 kell 20.30 Käina Huvi- ja Kultuurikeskuses. Koostanud Gerhard Lock (muusikateadlane, helilooja, muusikakriitik). Loe teksti ka <a href="http://hiiumaatantsufestival.blogspot.com/" target="_blank">HTF blogis</a>.<br />
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2010. aastal Tallinna Ülikooli koreograafia osakonna noorte koreograafide asutatud <a href="http://tants.org/" target="_blank">Hiiumaa Tantsufestival (HTF)</a> on tuntud oma erilise atmosfääri ning samaväärselt noori ja professionaale haaravate kursuste, sündmuste ja etenduste laia spektri poolest. Festival tegi algusest peale koostööd rahvusvaheliste koreograafide ja tantsijatega nagu Florent Hamon (Prantsusmaa, 2010), Cid Pearlman, David King and Alexis Steeves (USA, 2011 ja 2012) ning ka 2013 on kursuste juhendajate hulgas rahvusvaheline koreograaf ja tantsija Gerry Morita (Kanada). Samuti toimub rahvusvahelise tantsukompanii Mile Zero Dance etendus koostöös stsenograaf Patrick Arès-Piloni ja Tallinnas elava kanada helilooja Shawn Pinchbeckiga.<br />
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<span style="font-size: x-small; text-align: justify;">Gerry Morita </span><span style="font-size: x-small; text-align: justify;"> (foto </span><span style="font-size: x-small;"><a href="http://www.spinchbeck.com/sound/?page_id=16" style="text-align: justify;">pinchbeck.com</a><span style="text-align: justify;">)</span></span></div>
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1985. aastal asutatud Mile Zero Dance (MZD) on iseseisev, avalikest fondidest toetatud organisatsioon Edmontonis (Kanada), mis on pühendunud originaalse kaasaegse tantsu arendamisele enam kui 25 aasta jooksul. Interdistsiplinaarne koostöö Gerry Morita, Patrick Arès-Piloni ja Shawn Pinchbecki vahel algas ligikaudu kolm aastat tagasi ja Hiiumaa Tantsufestivali etendus on nende esimene esinemine väljaspool Kanadat.<br />
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<span style="font-size: x-small; text-align: justify;">Shawn Pinchbeck (foto </span><span style="font-size: x-small;"><a href="http://www.spinchbeck.com/sound/?page_id=16" style="text-align: justify;">pinchbeck.com</a><span style="text-align: justify;">)</span></span></div>
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Saamaks rohkem teada kunstnike projektidest, sh “Visual Splice” (2013), mida esitatakse Hiiumaa Tantsufestivalil, kohtusin hiljuti Tallinnas Shawn Pinchbeckiga ja suhtlesin e-maili teel Gerry Moritaga. Mõlemad on kõrgelt tunnustatud oma kodumaal ja rahvusvaheliselt: Shawn on tihedalt seotud Eestiga alates 2001, õpetanud erinevates ülikoolides (Eesti Kunstiakadeemia, Tallinna Ülikooli Balti Filmi- ja Meediakoolis) ning koostööd teinud erinevate eesti ansamblite ja kunstnikega (sh Fine 5 tantsuteater ja uusmeedia kunstnik Piibe Piirma). Gerry on töötanud peamiselt Kanadas ja Jaapanis ja alates 2005 on ta MZD kunstiline juht. Patrick Arès-Pilon on aina rohkem tuntust koguv noor visuaalkunstnik, kes töötab filmi ja stereograafiliste piltidega korraldades näituse formaadis nn peep show'd. Tema stsenaariumid on sageli kummalised ja ta kasutab erinevaid eriefekte nagu <i>scratched</i> (kraabitud) filmid, joonistusi filmilintidel ja filmilindi põletamist (sellist efekti kasutati ka Tallinn 2011 Euroopa kultuuripealinna lõpusündmusel Sadamas).<br />
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<span style="font-size: x-small; text-align: justify;">Gerry Morita </span><span style="font-size: x-small;"><span style="text-align: justify;"> (foto </span><a href="http://www.spinchbeck.com/sound/?page_id=16" style="text-align: justify;">pinchbeck.com</a><span style="text-align: justify;">)</span></span></div>
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Kasutades hulgaliselt eritehnoloogiat nagu taktiilseid ja Patrick Arès-Piloni käsitööna valminud filme, mida näidatakse vanaaegsete (ja tänapäeval haruldaste) filmiprojektorite abil, on nende etendused üsnagi eksperimentaalsed ja interaktiivsed. Improvisatsioonil on oluline roll nende paindliku loovuse kulgemise kontseptsioonis, kuid etenduste üldstruktuur on etteplaneeritud kaasates ühelt poolt eelsalvestatud helisid ja filme, teisalt aga improvisatsioonipõhist tegevust laval, sh live-elektroonikat ja live-film efekte. Etendused on selge struktuuriga ja lavategevuse sünkroonsus heliga on oluline, kuid mitte ületähtsustatud ega kasutatud efekti pärast. Küsimusele kas nende etendusi saab nimetada kaasaegse tantsu, teatri või dramaatiliste, visualiseeritud radifooniliste etenduste, kehastuva filmi sündmusteks või millekski muuks (või kõike kokku) Gerry vastas, et ta nimetaks neid lihtsalt etendusteks võimaldades publikul seda kogeda ilma eelsuunamiseta. “Peamine aspekt minu jaoks on “<i>live</i> aspekt”. Meie töid ei saa kogeda vaid interneti teel ega iPhone'il. Sellest osa saamiseks peab külastama etendust ja olema osa publikust. Teised nimetajad piiravad minu jaoks meie tööd ja loovad mitte sobivaid ootusi”. Shawn kirjeldab, et Gerry kõrval, kes professionaalse tantsijana kasutab laval liikudes samuti erinevaid laval olevaid füüsilisi objekte või iPhone'i, liiguvad laval ka Patrick ja Shawn ise vastavalt nende rollidele ja tehnilistele võimalustele. Eesmärgiga suurendada “<i>live</i> aspekti” Patrick liigutabki laval fimiprojektoreid, mille tagajärel muutuvad projektsioonid, perspektiivid ja valgusefektid. Shawn tüürib heli sensorite, kontaktmikrofonide ja iPhone'i abil ja üllatusena mängib igas etenduses teistlaadi helitekitavat objekti koos liikumisega saavutamaks ootamatuid live-saunde. Ja tõepoolest, tänapäeva elektroakustiline, elektrooniline ja nn laptop muusika valdkond ereneb jõuliselt interaktiivsuse ja live-esituste suunas, sest tehnoloogilised võimalused aina täiustuvad. Shawn rõhutab et ta kaasab oma projektides alati “performatiivset aspekti”. Gerry toob välja, et ta “armastab live-esituse rituaalset aspekti”. Tema jaoks ongi tavaliselt liikuma panev jõud etenduste loomisel “poliitika, (puuduv) kommunikatsioon või rituaal”.<br />
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<span style="font-size: x-small; text-align: justify;">Gerry Morita </span><span style="font-size: x-small; text-align: justify;"> (foto </span><span style="font-size: x-small;"><a href="http://www.spinchbeck.com/sound/?page_id=16" style="text-align: justify;">pinchbeck.com</a><span style="text-align: justify;">)</span></span></div>
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Gerry on tegutsenud nii koreograafi kui ka tantsijana, ta kasutab nii partituure kui ka erinevaid improvisatsiooni meetodeid oma loomingus, sest saab selle kaudu olla paindlikum leides nõnda ootamatuid aspekte keset esitust: “Minu koreograafiline meetod on improvisatsioon. Ma võimaldan kaosel vallanduda enda ümbruses ja teosed on konstrueeritud selle aspekti võimalikuks saamiseks või lausa tugevdamiseks. Olen selles inspireeritud oma Jaapanis töötatud ajast.” Jaapani mõjutused on tema töödes tugevad niisamuti nagu Pina Bauschi, DV8 ja Mary Wigmani tööd. Ta toonitab, et “olen vähem huvitatud Ameerika kaasaegsest tantsust, ehkki olen õppinud palju kontaktimprovisatsiooni ja Judson Churchi postmodernset tantsu. Olen samaväärselt mõjutatud tegevuskunstist. Tantsijana ühildun oma mõtteis ja tööprintsiipides Euroopa tantsu arengutega.”</div>
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Seoses interdistsiplinaarsuse, interaktiivsuse ja loomingulise koostööga oma kunstipartneritega ta kirjeldab oma funktsiooni ja rolli kui “pidevalt muutuvana ja see on üks neist aspektidest ma naudin interdistsiplinaarselt töötades.” Ta toob välja, et “viis, kuidas me töötame koos, areneb tööga ja sellest tekib nö keel. Olen väga huvitatud töötamisest inimestega, kes on nõnda kompetentsed omal alal ja kes soovivad laiendada oma oskusi teiste valdkondade kaudu. On põnev olla sellise asja osa ja tunnistaja.”</div>
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Lõpetuseks Hiiumaa Tantsufestival 2013 kutsub huvitatud publikut olema uudishimulik ja külastama esmakordselt rahvusvahelist ja Eesti esmaesitlus “Visual Splice” ning kogemaks tunnustatud kunstnike, kes sulandavad meie aja ja tipptehnilisi võimalusi rakendades heli ja liikumist, pildid ja tantsu, objektid ja film, erakordset <i>live</i> sündmust.</div>
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* Etenduse pealkiri “Visual Splice” mängib sõnadega “visuaalsus” ja “filmilõikamine” (reaalselt kääridega või tänapäeval virtuaalselt-digitaalselt).</div>
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<b>Visual Splice (2013)</b></div>
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Gerry Morita, kunstiline juht ja esitaja</div>
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Shawn Pinchbeck, helilooja ja live-elektroonika</div>
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Patrick Arès-Pilon, filmi projektsioonid/stsenograafia</div>
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Reedel, 9. augustil 2013 kell 20.30 Käina Huvi- ja Kultuurikeskuses</div>
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Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-57037307463256322892013-08-06T04:51:00.001-07:002013-08-06T04:51:17.644-07:00Hiiumaa TantsuFestival 2013Eesti Muusikaarvustaja ja tänavune <a href="http://tants.org/" target="_blank">Hiiumaa Tantsufestival (HTF2013)</a>, mis toimub 5.-11. augustil Käinas, teevad koostööd. Eesti Muusikaarvustaja peab <a href="http://hiiumaatantsufestival.blogspot.com/" target="_blank">HTF festivali blogi</a> ja Muusikaarvustaja avaldab arvustusi.<br />
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Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-76078431102714801192013-01-22T14:11:00.003-08:002013-01-22T14:12:11.300-08:00Music Criticism Course 2013<br />
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<a href="http://1.bp.blogspot.com/-0aUsQB3nqsw/UP8OgUKIgtI/AAAAAAAAAEY/-HzR8C4gFBU/s1600/MuKri13-ENG.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><img border="0" height="400" src="http://1.bp.blogspot.com/-0aUsQB3nqsw/UP8OgUKIgtI/AAAAAAAAAEY/-HzR8C4gFBU/s400/MuKri13-ENG.jpg" width="282" /></span></a></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span lang="cs-CZ">Tallinn
University<br />Institute of Fine Arts, Department of Music<br /><br />MUSIC
CRITICISM COURSE<br />Spring semester
2013<br /><br />OPENNESS<br />CREATIVITY<br />COURAGE<br />RESPOSIBILITY<br />HOW
TEXTS “ARE BORN” AND HOW THEY ARE EDITED<br /><br />CONTEMPORARY
MUSIC, ART, DANCE, PERFORMANCE, INTERDISCIPLINARY EVENTS<br /><br />Developing
the critical, analytical and openmindedness of students. Enable them
to find their own style and obtain practical experiences. Learning
from other critics (from the past and present) and reflect the own
writing process.<br /><br />Introduction to different styles and forms of
criticism, tasks of the critic, responsibility and possibilities, and
the question of objectivity. Experiencing practically how text are
„born“, what is the background of a critic, his/her inspiration
and motivation, and which role plays editing and
formalization/issuing of texts. Learning from other critics (from the
past and present). Analysis of contemporary music as a broader
phenomenon (from academic to rock/pop music). Focus on writing about
contemporary music and contextualizing it as part of contemporary art
(music, art, dance) as a whole.<br /><br />MORE
INFO:</span><span style="color: blue;"><u><a href="http://www.tlu.ee/muusikaarvustaja/muusikakriitika/MuKriErikursus.html"><span lang="cs-CZ">www.tlu.ee/muusikaarvustaja/muusikakriitika/MuKriErikursus.html</span></a></u></span><span lang="cs-CZ">
<br />TLU student Registration: ÕIS </span><span style="color: blue;"><u><a href="http://ois.tlu.ee/"><span lang="cs-CZ">http://ois.tlu.ee</span></a></u></span><span lang="cs-CZ">
<br />Guest student register
here:</span><span style="color: blue;"><u><a href="http://www.tlu.ee/muusikaarvustaja/muusikakriitika/registreerimine.html"><span lang="cs-CZ">http://www.tlu.ee/muusikaarvustaja/muusikakriitika/registreerimine.html</span></a></u></span><span lang="cs-CZ">
<br /><br />Read MuKriErikursus 2007–2010 and 2012 articles (in
Estonian and English):</span></span></div>
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span style="color: blue;"><u><a href="http://www.luubiall.ee/"><span lang="cs-CZ">www.luubiall.ee</span></a></u></span><span lang="cs-CZ">
</span><span style="color: blue;"><u><a href="http://muusikaarvustaja.blogspot.com/"><span lang="cs-CZ">http://muusikaarvustaja.blogspot.com</span></a></u></span><span lang="cs-CZ">
<br /><br />Subject code KUM7104, 4 EAP<br />LECTURER Gerhard Lock (TLU
musicology lecturer, EMTA doctoral student EAMT musicology
department)<br />WHERE: TLU Instituut of Fine Arts Department of Music
Lai 13<br />WHEN: Thursdays 16.00-18.00 (starting February 7) <br /><br />The
course is open for students with diverse background and from
different universities and will be held in English and Estonian.</span></span></div>
Eesti Muusikaarvustajahttp://www.blogger.com/profile/13109679660685797553noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-58121049391041892572013-01-22T14:09:00.000-08:002013-01-22T14:10:07.806-08:00Muusikakriitika erikursus 2013<br />
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<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span lang="cs-CZ">Tallinna
Ülikool<br />Kunstide Instituudi Muusika osakond</span>MUUSIKAKRIITIKA
ERIKURSUS </span></div>
<div style="margin-bottom: 0in;">
<span style="font-family: Helvetica Neue, Arial, Helvetica, sans-serif;"><span lang="cs-CZ">Kevadsemester
2013<br /><br />AVATUS<br />LOOMINGULISUS<br />JULGUS<br />VASTUTUS<br />TEKSTI
SÜND JA TOIMETAMINE<br /><br />NÜÜDISMUUSIKA, NÜÜDISKUNST,
NÜÜDISTANTS, PERFORMANCE<br /><br />Kursuse eesmärk:<br />Arendada
tudengite kriitilist, analüüsivat ja Uuele avatud mõtlemist.
Võimaldada neil leida oma stiil ja omandada praktilised kogemused.
Õppida teistelt kriitikutelt (minevikust ja tänapäeval) ja
reflekteerida enda kirjutamisprotsessi.<br /><br />Käsitleme erinevaid
arvustamisvorme ja -stiile, arvustaja ülesannet, sellega seotud
vastutust ja võimalusi ning objektiivsuse küsimust. Kogeme
praktilise kirjutamise kaudu, kuidas sünnib tekst, mis võib olla
kirjutaja taust, inspiratsioon ja motivatsioon ning mis rolli mängib
sealjuures teksti toimetamine ja avaldamiseks vormistamine. Võtame
eeskuju ka kogenud arvustajatelt minevikust ja tänapäeval.
Keskendume nüüdismuusika arvustamisele. Analüüsime nüüdismuusikat
kui nähtust kõige laiemas plaanis (akadeemilisest kuni
rokk/poppmuusikani) ja käsitleme seda nüüdiskunsti ja
nüüdistantsuga nüüdiskultuuri terviknähtusena.<br /><br />LÄHEM
INFO:
</span><span style="color: blue;"><u><a href="http://www.tlu.ee/muusikaarvustaja/muusikakriitika/MuKriErikursus.html"><span lang="cs-CZ">www.tlu.ee/muusikaarvustaja/muusikakriitika/MuKriErikursus.html</span></a></u></span><span lang="cs-CZ">
<br />Registreerimine TLÜ tudengitele: ÕIS </span><span style="color: blue;"><u><a href="http://ois.tlu.ee/"><span lang="cs-CZ">http://ois.tlu.ee</span></a></u></span><span lang="cs-CZ">
<br />Külalistudengid registreeruvad siin:
</span><span style="color: blue;"><u><a href="http://www.tlu.ee/muusikaarvustaja/muusikakriitika/registreerimine.html"><span lang="cs-CZ">http://www.tlu.ee/muusikaarvustaja/muusikakriitika/registreerimine.html</span></a></u></span><span lang="cs-CZ">
<br /><br />Loe MuKriErikursus 2007–2010 ja 2012 arvustusi
aadressitel:</span><span style="color: blue;"><u><a href="http://www.luubiall.ee/"><span lang="cs-CZ">www.luubiall.ee</span></a></u></span><span lang="cs-CZ">
</span><span style="color: blue;"><u><a href="http://muusikaarvustaja.blogspot.com/"><span lang="cs-CZ">http://muusikaarvustaja.blogspot.com</span></a></u></span><span lang="cs-CZ">
<br /><br /><br />Ainekood KUM7104, 4 EAP<br />LEKTOR Gerhard Lock (TLÜ
muusikateaduse lektor, EMTA muusikateaduse doktorant)<br />TOIMUMISKOHT:
TLÜ Kunstide Instituudi Muusika osakond Lai 13<br />AEG: neljapäeviti
16.00-18.00 (algus 7. veebruar) <br /><br />Kursus on avatud eri astme ja
valdkonna tudengitele erinevatest ülikoolidest ja kursus toimub
kahes keeles (eesti ja inglise).</span></span></div>
Eesti Muusikaarvustajahttp://www.blogger.com/profile/13109679660685797553noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-78751379491851160432012-01-30T06:20:00.000-08:002012-01-30T06:25:45.881-08:00Muusikakriitika erikursus 2012<a href="http://3.bp.blogspot.com/-n8nByMasD70/Tyant6NLdgI/AAAAAAAAAD0/fZqwq7LWoho/s1600/MuKri12.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 283px; height: 400px;" src="http://3.bp.blogspot.com/-n8nByMasD70/Tyant6NLdgI/AAAAAAAAAD0/fZqwq7LWoho/s400/MuKri12.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5703430385271797250" /></a><p class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;">Tallinna Ülikool<br />Kunstide Instituudi Muusika osakond<br /><br />MUUSIKAKRIITIKA ERIKURSUS<br />Kevadsemester 2012<br /></span></span><span class="Apple-style-span" style="font-size: small;"> </span><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></p> <p class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;">AVATUS<br />LOOMINGULISUS<br />JULGUS<br />VASTUTUS<br />TEKSTI SÜND JA TOIMETAMINE<br /><br />NÜÜDISMUUSIKA, NÜÜDISKUNST, NÜÜDISTANTS, PERFORMANCE<br /><br />Kursuse eesmärk:<br />Arendada tudengite kriitilist, analüüsivat ja Uuele avatud mõtlemist. Võimaldada neil leida oma stiil ja omandada praktilised kogemused. Õppida teistelt kriitikutelt (minevikust ja tänapäeval) ja reflekteerida enda kirjutamisprotsessi.<br /><br />Käsitleme erinevaid arvustamisvorme ja -stiile, arvustaja ülesannet, sellega seotud vastutust ja võimalusi ning objektiivsuse küsimust. Kogeme praktilise kirjutamise kaudu, kuidas sünnib tekst, mis võib olla kirjutaja taust, inspiratsioon ja motivatsioon ning mis rolli mängib sealjuures teksti toimetamine ja avaldamiseks vormistamine. Võtame eeskuju ka kogenud arvustajatelt minevikust ja tänapäeval. Keskendume nüüdismuusika arvustamisele. Analüüsime nüüdismuusikat kui nähtust kõige laiemas plaanis (akadeemilisest kuni rokk/poppmuusikani) ja käsitleme seda nüüdiskunsti ja nüüdistantsuga nüüdiskultuuri terviknähtusena.<br /><br />LÄHEM INFO:<br /></span></span><span class="Apple-style-span" style="font-size: small;"> </span><a href="http://www.tlu.ee/muusikaarvustaja/muusikakriitika/MuKriErikursus.html"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;">www.tlu.ee/muusikaarvustaja/muusikakriitika/MuKriErikursus.html</span></span></a><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"><br />Registreerimine: ÕIS </span></span><a href="http://ois.tlu.ee/"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;">http://ois.tlu.ee</span></span></a><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span><span class="Apple-style-span" style="font-size: small;"> </span><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></span></p> <p class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;">Loe MuKriErikursus 2007–2010 arvustusi aadressil:<br /></span></span><span class="Apple-style-span" style="font-size: small;"> </span><a href="http://muusikaarvustaja.blogspot.com/"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;">http://muusikaarvustaja.blogspot.com</span></span></a><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></span></p><p class="MsoNormal"><span lang="CS"><span lang="CS"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;">Ainekood KUM7104, 4 EAP<br />LEKTOR Gerhard Lock (TLÜ muusikateaduse lektor, EMTA muusikateaduse doktorant)<br />TOIMUMISKOHT: TLÜ Kunstide Instituudi Muusika osakond Lai 13<br />AEG: neljapäeviti 16.00-18.00 (algus 9. veebruar) </span></span></span></span></p><p class="MsoNormal"><span lang="CS" style="mso-ansi-language:CS"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"> Kursus on avatud eri astme ja valdkonna tudengitele erinevatest ülikoolidest.</span></span><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><br /></span></span> <o:p></o:p></span></p> <!--EndFragment-->Eesti Muusikaarvustajahttp://www.blogger.com/profile/13109679660685797553noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-58428454896270495002012-01-30T06:09:00.000-08:002012-01-30T06:25:08.443-08:00Music Criticism Course 2012<a href="http://1.bp.blogspot.com/-FqJtCIp1LMo/TyaoJjQe6cI/AAAAAAAAAEA/xtOVs43xoCQ/s1600/MuKri12-ENG.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 283px; height: 400px;" src="http://1.bp.blogspot.com/-FqJtCIp1LMo/TyaoJjQe6cI/AAAAAAAAAEA/xtOVs43xoCQ/s400/MuKri12-ENG.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5703430860147976642" /></a><p class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;">Tallinn University<br />Institute of Fine Arts, Department of Music<br /><br />MUSIC CRITICISM COURSE<br />Spring semester 2012<br /><br />OPENNESS<br />CREATIVITY<br />COURAGE<br />RESPOSIBILITY<br />HOW TEXTS “ARE BORN” AND HOW THEY ARE EDITED<br /><br />CONTEMPORARY MUSIC, ART, DANCE, PERFORMANCE, INTERDISCIPLINARY EVENTS<br /><br />Developing the critical, analytical and openmindedness of students. Enable them to find their own style and obtain practical experiences. Learning from other critics (from the past and present) and reflect the own writing process.<br /><br />Introduction to different styles and forms of criticism, tasks of the critic, responsibility and possibilities, and the question of objectivity. Experiencing practically how text are „born“, what is the background of a critic, his/her inspiration and motivation, and which role plays editing and formalization/issuing of texts. Learning from other critics (from the past and present). Analysis of contemporary music as a broader phenomenon (from academic to rock/pop music). Focus on writing about contemporary music and contextualizing it as part of contemporary art (music, art, dance) as a whole.<br /><br />MORE INFO:<br /></span></span><a href="http://www.tlu.ee/muusikaarvustaja/muusikakriitika/MuKriErikursus.html"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;">www.tlu.ee/muusikaarvustaja/muusikakriitika/MuKriErikursus.html</span></span></a><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"><br />Registration: ÕIS </span></span><a href="http://ois.tlu.ee/"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;">http://ois.tlu.ee</span></span></a><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"><br /><br />Read MuKriErikursus 2007–2010 articles (in Estonian and English): </span></span></span><span class="Apple-style-span" style="font-family:verdana;"><a href="http://muusikaarvustaja.blogspot.com/"><span class="Apple-style-span" style="font-size: small;">http://muusikaarvustaja.blogspot.com</span></a></span></p><span lang="CS"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"> Subject code KUM7104, 4 EAP<br />LECTURER Gerhard Lock (TLU musicology lecturer, EMTA doctoral student EAMT musicology department)<br />WHERE: TLU Instituut of Fine Arts Department of Music Lai 13<br />WHEN: Thursdays 16.00-18.00 (starting February 9)<br /><br />The course is open for students with diverse background and from different universities.</span></span></span><!--EndFragment--><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"> </span></span><p></p><p class="MsoNormal"><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size:small;"><span lang="CS"><br /></span></span></span></p> <!--EndFragment-->Eesti Muusikaarvustajahttp://www.blogger.com/profile/13109679660685797553noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-32770723401249331812012-01-30T05:04:00.000-08:002012-01-30T06:07:32.271-08:00Mein Schatz<a href="http://1.bp.blogspot.com/-pnWAuPoFNpo/TyajW8rR78I/AAAAAAAAADQ/x8ZzJ6J_DeQ/s1600/Mxgi-mammut-Mxgi.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"></a><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal; display: inline !important; "><span lang="ET"><b><span class="Apple-style-span" style="font-size: small;">16.</span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-size: small;">12.2011</span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-size: small;"> </span></b></span><span lang="ET"><b><i><span class="Apple-style-span" style="font-size: small;">Ebendieselbe Ensemble</span></i></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-size: small;">,</span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-size: small;"> </span></b></span><span lang="CS"><b><i><span class="Apple-style-span" style="font-size: small;">Global</span></i></b></span><span lang="ET"><b><i><span class="Apple-style-span" style="font-size: small;"> Container XXI – Performachine</span></i></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-size: small;">,</span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-size: small;"> </span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-size: small;">Kultuuritehas Polymer (Kerit Ilves – MuKriErikursus 2010)</span></b></span></p></span></span></strong><span class="Apple-style-span" style="font-size: small;"><br /></span><div style="text-align: justify;"><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"> </span><p class="MsoNormal" style="text-align: left;margin-bottom: 0.0001pt; line-height: normal; "><span lang="CS"><span class="Apple-style-span" style="font-size: small;">16.</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">detsembril</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">toimus Kultuuritehases</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="ET"><i><span class="Apple-style-span" style="font-size: small;">Polymer</span></i></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">järjekordne üritus nimega </span><i><span class="Apple-style-span" style="font-size: small;">Global</span></i></span><span lang="ET"><i><span class="Apple-style-span" style="font-size: small;"> Container XXI – Performachine</span></i></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">.</span><i><span class="Apple-style-span" style="font-size: small;"> Global Container</span></i></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> on </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">üritustesari</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, mis toimub regulaarselt juba alates 2008. aastast. See on rahvusvaheline </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">tegevuskunstnikke</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, muusiku</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">id</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> ja muude kultuurialade esindajaid ühendav </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">sündmus</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">. </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></p> <p class="MsoNormal" style="text-align: left;margin-bottom: 0.0001pt; line-height: normal; "><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Kahekümne</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> esimese </span><i><span class="Apple-style-span" style="font-size: small;">Global Container</span></i></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">’i </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">kava</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">oli</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> päris </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">mahukas</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, kuna </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">esitlusele</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> tulid Eesti </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Kunstiakadeemia (EKA)</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">tegevuskunsti</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> osakonna sügissemestri kursuste tööd</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> (juhendaja Erik Alalooga)</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">. Kavas </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">olid</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> nii kontserdid</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> ja</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">näitused</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">kui</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> ka </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">tantsuesitlused</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">erinevad</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">installatsioonid</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> ja </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">kineetilised</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">esitlused</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">.</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></p><p class="MsoNormal" style="text-align: left;margin-bottom: 0.0001pt; line-height: normal; "><span lang="ET"><span class="Apple-style-span" style="font-size: small;"></span></span></p><span lang="ET"><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><a name='more'></a></p></span><p></p><p class="MsoNormal" style="text-align: left;margin-bottom: 0.0001pt; line-height: normal; "><span class="Apple-style-span" style="font-size: small; "><span lang="ET"></span></span></p><span lang="ET"><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><!-- more --></p></span><p></p><p class="MsoNormal" style="margin-bottom:0in;margin-bottom:.0001pt;line-height:normal"><span class="Apple-style-span"><span class="Apple-style-span" style="font-size: small;"><span lang="ET"></span></span></span></p><span lang="ET"><p style="margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica"><!-- more --></p></span><p></p> <p class="MsoNormal" style="text-align: left;margin-bottom: 0.0001pt; line-height: normal; "><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Eriti</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> tähelepanuväärne oli just </span><strong><span style="font-weight:normal"><i><span class="Apple-style-span" style="font-size: small;">Ebendieselbe Ensemble</span></i></span></strong><strong><span style="font-weight:normal"><span class="Apple-style-span" style="font-size: small;">’i eksperimentaalsete muusikainstrumentide projekt. </span></span></strong><span class="Apple-style-span" style="font-size: small;">See oli kontsert </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">isevalmistatud</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> muusikainstrumentidel. </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Kasutusel</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> olid vedrumadratsid, kanalisatsioonitorud, </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">pesumasina</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> trummel, saekettad, kardinapuud, titekäru, saunaaknad j</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">ms</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">. </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Instrumente</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> oli </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">kaksteist</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">! </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Ning</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">igal</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">instrumendil</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> oli ka oma kena nimetus: </span></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">ebendieselbe</span></i></span><span lang="ET"><i><span class="Apple-style-span" style="font-size: small;">, </span></i></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">weivi</span></i></span><span lang="ET"><i><span class="Apple-style-span" style="font-size: small;">, </span></i></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">sie</span></i></span><span lang="ET"><i><span class="Apple-style-span" style="font-size: small;">, </span></i></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">häälemurre</span></i></span><span lang="ET"><i><span class="Apple-style-span" style="font-size: small;">, </span></i></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">kuu</span></i></span><span lang="ET"><i><span class="Apple-style-span" style="font-size: small;">, </span></i></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">sopranmammut</span></i></span><span lang="ET"><i><span class="Apple-style-span" style="font-size: small;">, </span></i></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">tenormammut</span></i></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> jne. </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></p> <p class="MsoNormal" style="text-align: left;margin-bottom: 0.0001pt; line-height: normal; "><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Suurem</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> osa kontserdist koosnes sellest, et esinejad mängisid ühekaupa oma </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">instrumentidel</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> lugusid, </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">millega</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">tutvustasid</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">kuulajatele,</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">kuidas</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">instrumendid</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">kõlavad</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">. </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Eriti</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> huvitav kõla oli sellisel </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">instrumendil</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> nagu </span><i><span class="Apple-style-span" style="font-size: small;">ebendieselbe</span></i></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">. </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Seda</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">esitas</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Sigrid</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">Viir </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">looga</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">„Bediesel“</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, autor Taavi Suisalu. Instrument koosnes viiest klaasist, mis olid tehtud metallist ja mille peal pidi mängima poognaga. Kõla oli väga eriline: tuli välja tuhm ja natuke kinnine </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">kriiksumine</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, kuid koos sellega </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">tekkis</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> ka väga konkreetne heli. </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></p> <p class="MsoNormal" style="text-align: left;margin-bottom: 0.0001pt; line-height: normal; "><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Veel</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> üks huvipakkuv instrument oli </span></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">mammut</span></i></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, mis koosnes veel </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">viiest</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">perekonnaliikmest</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">: </span><i><span class="Apple-style-span" style="font-size: small;">kontrabassmammut, bassmammut, altmammut, sopranmammut, </span></i></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">tenormammut</span></i></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">. </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Kõik</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> need </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">olid</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">tehtud</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">erinevatest</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> torudest, mille otsadele olid kinnitatud </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">plastmaspudelid</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> ning </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">neil</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">oli</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">põhi</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> ära </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">lõigatud</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">arvatavasti</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">selleks</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">et</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">kõla</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> oleks parem ja </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">sisukam</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">. </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Esinejad</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> olid </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Susanna</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Salama</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> - didgerifon, Aili-</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Maarja</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Mäeniit</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> - kontrabassmammut, Taavi Suisalu - </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">bassmammut</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, Pauliina Jokela - </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">altmammut</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, Taavi Suisalu - sopranmammut, Aleksander </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Sproghis</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> - tenormammut. Esitusele tuli Raido Mägi teos „Karjapoiss”. Autor tuli ka teose juhatajana ette: ta dirigeeris </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">äärmiselt</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> lihtsalt, näitas täpselt instrumente sisse ning sellest </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">tuli</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">välja</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> päris ebatavaline </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">esitus</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">. </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></p> <p class="MsoNormal" style="text-align: left;margin-bottom: 0.0001pt; line-height: normal; "><span lang="ET"><span class="Apple-style-span" style="font-size: small;">Ülejäänud instrumendid </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">põhimõtteliselt</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> tekkitasid muusikalist müra. Igal instrumendil oli oma eriline kõla ja </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">värv</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">. </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Kuna</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">instrumente</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> oli päris palju ja </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">igaüks</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">pidi</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">esitlusele</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">tulema</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, kaotasid esinejad vahepeal publiku </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">tähelepanu</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">. Kuid </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">kuulajate</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">huvi</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">võitsid</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">esinejad</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">tagasi</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">kui</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> esitlusele tuli teos „Mein Schatz”. See </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">oli</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> suur lõputeos kõikide instrumentidele. „Mein Schatz” oli loodud </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">kollektiivselt</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> kogu </span></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">Ebendieselbe</span></i></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;"> </span></i></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">Ensemble</span></i></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">’i</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">esindajate</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> poolt ning juhatas teost projekti </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">juhendaja</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> ja dirigent </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Andrus</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> Kallastu. Dirigendi </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">teose</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> juhatamine oli üsna huvitav: see sugugi ei </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">olnud</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> dirigeerimine, </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">millega</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">paljud</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> on harjunud. Dirigent isegi ei löönud </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">skeemi</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, tal ei olnud ka taktikeppi käes.</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">Vahepeal, </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">kui</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> teoses olid </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">generalpausid</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> või fermaadid, seisis dirigent käed all ja ei näidanud midagi. Samas dirigendi </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">juhatamine</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> oli </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">äärmiselt</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> selge:</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">väga </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">täpsed</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="ET"><i><span class="Apple-style-span" style="font-size: small;">auf</span></i></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">-id ja </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">sissetulemise näitamised</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">. Dünaamikale ei pööranud </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">dirigent</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">suurt</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">tähelepanu</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, aga </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">mängijad</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> ise said sellega väga hästi hakkama.</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></p> <p class="MsoNormal" style="text-align: left;margin-bottom: 0.0001pt; line-height: normal; "><span lang="ET"><span class="Apple-style-span" style="font-size: small;">Teos ise algas vaikse dialoogiga instrumentide vahel: üheaegselt ei </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">mänginud</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> rohkem kui kolm instrumenti. Teose keskel juba oli rohkem helisid, dialoog muutus tihedamaks ja </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">dünaamika valjemaks</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">. Ja siis hakkasid kõik </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">instrumendid</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> koos vaikselt </span></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">piano</span></i></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">‘s</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">mängima</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, kõlas väga võluv sahin </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">ning</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> dirigendi käe järgi hakkasid muusikud mängima kõvemini, tihedamini, kiiremini. Nad jõudsid </span><i><span class="Apple-style-span" style="font-size: small;">forte </span></i></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">fortissimo</span></i></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">‘ni</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">ja</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">tekitasid</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">äärmiselt</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">võimsa</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">jõulise</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> müra. Igat </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">instrumenti</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> oli väga täpselt kuulda ja iga instrument oli tähtis osa suurest tervikust. Teos lõppes </span></span><span lang="CS"><i><span class="Apple-style-span" style="font-size: small;">pianissimo</span></i></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">’s, vaikse löögiga</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="ET"><i><span class="Apple-style-span" style="font-size: small;">veskil</span></i></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">, mis oli pehme löök saeketta vastu. </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></p> <p class="MsoNormal" style="text-align: left;margin-bottom: 0.0001pt; line-height: normal; "><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Muusikaline</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> futurism on äärmiselt huvitav avangardismi vool. Kuid muusikalise müra tekitamine ja esitamine ei ole sugugi lihtne. See on üsna keeruline, kuna tegelikult väga </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">tihti</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> peetakse sellist müra inetuseks ja tihti ei võeta seda vastu </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">muusikana</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">. </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">Kuid</span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-size: small;">sellel</span></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;"> õhtul võis öelda, et publik oli väga rahul </span><i><span class="Apple-style-span" style="font-size: small;">Ebendieselbe Emsemble</span></i></span><span lang="ET"><span class="Apple-style-span" style="font-size: small;">’i kontserdiga ning võib julgelt öelda, et projekt oli väga edukas.</span></span></p> <p class="MsoNormal" style="text-align: left;margin-bottom: 0.0001pt; line-height: normal; "><span lang="CS"><b><span class="Apple-style-span" style="font-size: small;">Kerit Ilves (MuKriErikursus 2010 tudeng)</span></b><span class="Apple-style-span" style="font-size: small;"><o:p></o:p></span></span></p> <!--EndFragment--> </span></span></strong></div><div style="text-align: left;"><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></strong></div><div style="text-align: left;"><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-size: small;">Fotod: Tanel Saar & Andreas W.</span></span></span></strong></div><div><p class="MsoNormal" style="text-align: justify;margin-bottom: 0.0001pt; line-height: normal; "><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family:verdana;"></span></span></strong></span></span></strong></p><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><p class="MsoNormal" style="line-height: normal; display: inline !important; "><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style=" color: rgb(0, 0, 238); -webkit-text-decorations-in-effect: underline; font-family:Georgia, serif;"><img src="http://2.bp.blogspot.com/-TLWL-ZHl6kQ/TyajPak4jNI/AAAAAAAAADE/GgBVviZHfUY/s320/Suisalu-Bediesel_Viir-2011.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5703425463338699986" style="float: left; margin-top: 0px; margin-right: 10px; margin-bottom: 10px; margin-left: 0px; cursor: pointer; width: 246px; height: 164px; " /></span></span></p></span></strong></span></span></strong></div><div><p></p><p class="MsoNormal" style="text-align: justify;margin-bottom: 0.0001pt; line-height: normal; "><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family:verdana;"></span></span></strong></span></span></strong></p><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><p class="MsoNormal" style="line-height: normal; display: inline !important; "><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size: small;">Taavi Suisalu "Bediesel" instrumendile </span></span><i><span class="Apple-style-span" style="font-weight: normal; "><a href="http://performachine.files.wordpress.com/2011/12/img_5848.jpg"><span class="Apple-style-span" style="font-size: small;">ebendieselbe</span></a></span></i><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size: small;">. Esitab Sigrid Viir.</span></span></p></span></strong></span></span></strong><p></p><p class="MsoNormal" style="text-align: justify;margin-bottom: 0.0001pt; line-height: normal; "><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-size: small;"><span class="Apple-style-span" style="font-family:verdana;"></span></span></strong></span></strong></span></span></strong></p><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><p class="MsoNormal" style="line-height: normal; display: inline !important; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></p></span></strong></span></strong></span></span></strong></div><div><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><p class="MsoNormal" style="line-height: normal; display: inline !important; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></p></span></strong></span></strong></span></span></strong></div><div><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><p class="MsoNormal" style="line-height: normal; display: inline !important; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></p></span></strong></span></strong></span></span></strong></div><div><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><p class="MsoNormal" style="line-height: normal; display: inline !important; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></p></span></strong></span></strong></span></span></strong></div><div><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><p class="MsoNormal" style="line-height: normal; display: inline !important; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></p></span></strong></span></strong></span></span></strong></div><div><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><p class="MsoNormal" style="line-height: normal; display: inline !important; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></p></span></strong></span></strong></span></span></strong></div><div><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><p class="MsoNormal" style="line-height: normal; display: inline !important; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></p></span></strong></span></strong></span></span></strong></div><div><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><p class="MsoNormal" style="line-height: normal; display: inline !important; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size: small;"><br /></span></span></span></p></span></strong></span></strong></span></span></strong></div><span class="Apple-style-span" style="color: rgb(0, 0, 238); -webkit-text-decorations-in-effect: underline; "><img src="http://1.bp.blogspot.com/-pnWAuPoFNpo/TyajW8rR78I/AAAAAAAAADQ/x8ZzJ6J_DeQ/s320/Mxgi-mammut-Mxgi.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5703425592751419330" style="float: left; margin-top: 0px; margin-right: 10px; margin-bottom: 10px; margin-left: 0px; cursor: pointer; width: 226px; height: 151px; " /></span><div><strong><span lang="ET" style="font-weight: normal; "><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><strong><span class="Apple-style-span" style="font-family:verdana;"><p class="MsoNormal" style="line-height: normal; display: inline !important; "><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size: small;">Raido Mägi "Karjapoiss" instrumendile </span></span></span><i><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-weight: normal; "><a href="http://performachine.files.wordpress.com/2011/12/mammut.jpg"><span class="Apple-style-span" style="font-size: small;">mammut</span></a></span></span></i><span class="Apple-style-span" style="font-family:verdana;"><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size: small;">. Dirigent - Raido Mä</span></span></span><span style="font-family:";"><span class="Apple-style-span" style="font-weight: normal; "><span class="Apple-style-span" style="font-size: small;">gi.</span></span></span></p></span></strong></span></strong></span></span></strong><p></p></div>Eesti Muusikaarvustajahttp://www.blogger.com/profile/13109679660685797553noreply@blogger.com1tag:blogger.com,1999:blog-8240270617796608534.post-68877846074506606162011-12-20T14:17:00.000-08:002012-01-21T11:13:42.378-08:00NOORTE KRIITIKUTE LUUBI ALL 2011 tulemused<a href="http://3.bp.blogspot.com/-_GVAnsABXb0/TvW0k5AUz_I/AAAAAAAAACI/BVLSapS137g/s1600/LUUBIALL2011-auhinna-NUPP-uus.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 291px; height: 290px;" src="http://3.bp.blogspot.com/-_GVAnsABXb0/TvW0k5AUz_I/AAAAAAAAACI/BVLSapS137g/s320/LUUBIALL2011-auhinna-NUPP-uus.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5689652250122964978" /></a><div style="text-align: left;">Aasta 2011 hakkab otsa saama ja lõpule jõudis ka tänavune kriitikakonkurss NOORTE KRIITIKUTE LUUBI ALL. Eile kogunesid korraldajad, osalejad ja muidu huvilised <b>Tallinna Keskraamatukogu saali</b>, et konkursist kokkuvõtteid teha, vestlusringis erinevate kunstivaldkondade kriitika erinevuste üle arutleda, ja vahelduseks kuulata, kuidas konkursi korraldajate osalusel tegutsevad koosseisud MeelisLaulud ja Elvins Tales musitseerivad.</div><div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', 'Bitstream Charter', Times, serif; font-size: medium; line-height: 19px; "><br /></span></div><div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', 'Bitstream Charter', Times, serif; font-size: medium; line-height: 19px; ">Loomulikult olid õhtu põnevaimad hetked need, mil anti teada võitjate nimed. Olgu need ka siin ära toodud.</span></div><div><span class="Apple-style-span" style="font-family: Georgia, 'Times New Roman', 'Bitstream Charter', Times, serif; font-size: 13px; line-height: 19px; "><p><span class="Apple-style-span" style="font-size: medium;">Konkursi II etapi jooksul </span><strong><a href="http://tln.lib.ee:8118/muusika/2011/12/kultuurikriitika-voistluse-noo.html" _mce_href="http://tln.lib.ee:8118/muusika/2011/12/kultuurikriitika-voistluse-noo.html"><span class="Apple-style-span" style="font-size: medium;">Tallinna Keskraamatukogu Muusikaosakonna veebipäevikusse</span></a></strong><span class="Apple-style-span" style="font-size: medium;"> laekunud tekstidest pidas žürii kohaseks auhinnata ainult ühte, seega: parimaks blogitasandi kirjutiseks konkursi II etapil hindas žürii üksmeelselt Kirjutaja tantsu- ja filmiteemalist arvustust </span><strong><span class="Apple-style-span" style="font-size: medium;">"</span><a href="http://tln.lib.ee:8118/muusika/2011/10/pina.html" _mce_href="http://tln.lib.ee:8118/muusika/2011/10/pina.html"><span class="Apple-style-span" style="font-size: medium;">PINA</span></a><span class="Apple-style-span" style="font-size: medium;">".</span></strong></p><p><span class="Apple-style-span" style="font-size: medium;">Konkursi II etapi jooksul </span><strong><a href="http://www.luubiall.ee" _mce_href="http://www.luubiall.ee"><span class="Apple-style-span" style="font-size: medium;">www.luubiall.ee</span></a><span class="Apple-style-span" style="font-size: medium;"> veebilehe</span></strong><span class="Apple-style-span" style="font-size: medium;"> kaudu konkursile laekunud A-tasandi tekstide hulgas rõõmustas žüriid kunstivaldkondade paljusus, mida võistlustöödes kajastati, ning see avas palju meeldivaid perspektiive konkursi jätkamiseks ka tulevikus. Valdkonniti anti välja eraldi auhinnad muusika, tantsu ja filmi alal.</span></p><p><span class="Apple-style-span" style="font-size: medium;">Auhindamisest kahes vanusegrupis otsustati siiski loobuda ning tantsu ja filmi valdkondades loobuti ka esikolmiku määratlemisest.</span></p></span></div><div>Loe lähemalt: <a href="http://www.luubiall.ee/?p=676&lang=ee"><b>www.luubiall.ee</b></a></div><div> </div><div>Tallinna Keskraamatukogu muusikaosakonna <a href="http://tln.lib.ee:8118/muusika/2011/12/kultuurikriitika-voistluse-noo.html"><b>veebipäevik</b></a></div><div><b><br /></b></div><div><br /></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 238); -webkit-text-decorations-in-effect: underline; "><img src="http://2.bp.blogspot.com/-j95trgT8Ewg/TvETWfbVLFI/AAAAAAAAAB8/2Wu2nruu1HU/s400/LUUBI%2BALL%2B2011%2BToetajate%2B%252B%2Btegijate%2Blogod-small.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5688349081459829842" style="display: block; margin-top: 0px; margin-right: auto; margin-bottom: 10px; margin-left: auto; text-align: center; cursor: pointer; width: 400px; height: 262px; " /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 238); -webkit-text-decorations-in-effect: underline; "><br /></span></div><div style="text-align: center;"><span class="Apple-style-span" style="color:#0000EE;"><br /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 238); -webkit-text-decorations-in-effect: underline; "><br /></span></div><div style="text-align: center;"><span class="Apple-style-span" style="color: rgb(0, 0, 238); -webkit-text-decorations-in-effect: underline; "><br /></span></div><div><span class="Apple-style-span" style="color: rgb(0, 0, 238); -webkit-text-decorations-in-effect: underline; "><br /></span></div><div><br /></div><div> </div>Eesti Muusikaarvustajahttp://www.blogger.com/profile/13109679660685797553noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-10145945660713872782011-12-14T17:42:00.000-08:002011-12-14T17:42:44.444-08:00NOORTE KRIITIKUTE LUUBI ALL 2011 auhindamine<!--StartFragment--> <br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/-t_YZcGmduCg/TulQWemIimI/AAAAAAAAAIA/DOF8kueAVL4/s1600/LUUBIALL_kutse_auhindamisele-small.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/-t_YZcGmduCg/TulQWemIimI/AAAAAAAAAIA/DOF8kueAVL4/s1600/LUUBIALL_kutse_auhindamisele-small.jpg" /></a></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><br />
</div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Helvetica;"><a href="http://www.luubiall.ee/wp-content/uploads/2011/12/2011-kutse1-small.jpg"><span style="color: windowtext; text-decoration: none; text-underline: none;"><o:p></o:p></span></a></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><br />
</div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;">Kultuurikajastamise foorum LUUBI ALL koostöös Tallinna Ülikooli Kunstide Instituudi Muusika osakonna ja Tallinna Keskraamatukogu Muusikaosakonna veebipäevikuga kutsub 2011. aasta noorte kriitikakonkursi II etapi ning konkursi üldvõitjate </span><span lang="CS" style="font-family: Verdana;">auhindamisele</span><span style="font-family: Verdana;">.</span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span class="Apple-style-span" style="font-family: Times-Roman;"><br />
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</div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana-Bold;"><b>AUHINDAMINE 2011</b></span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><br />
</div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;">MILLAL: 19. detsembril 2011</span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;">KUS: Tallinna Keskraamatukogu saal</span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;">KAVA: Vestlusring, auhindamine, muusika</span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><br />
</div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;">16.00–16.15 Muusika – esineb ansambel MeelisLaulud</span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;">16.15–17.15 Vestlusring žüriiliikmetega – erikülaline Heie Treier</span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;">17.15–17.45 Auhindamine – I ja II etapi võitjate ning konkursi üldvõitjate tunnustamine</span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;">17.45–18.30 Muusika – esineb ansambel Elvins Tales</span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><br />
</div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;">Kutsutud on konkursi I ja II etapi osalejad ja kõik teised kunstikriitikahuvilised.</span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><br />
</div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;">Konkursi ideeks on julgustada noori kirjutajaid jälgima, väärtustama ja tulevikulugejale talletama meid ümbritsevat kultuuri. Konkursi fookuses on muusika, tants, kunst, film ja interdistsiplinaarsed üritused.</span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;">Konkurss toimus Eesti Muusikaarvustaja, Tallinna Keskraamatukogu Muusikaosakonna veebipäeviku ja Koreo-blogi initsiatiivil ning seda viiakse läbi koostöös kultuuriväljaannetega Muusika, Teater.Muusika.Kino, Sirp ja Müürileht.</span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;">Konkursi toetavad Tallinna Ülikooli Kunstide Instituudi Muusika osakond, Tallinna Keskraamatukogu Muusikaosakond, Tallinna Noorte Infokeskus (Taninfo), Eesti Tantsukunstnike Liit ning Eesti Vabariigi Kultuurkapital.</span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;"><br />
</span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><span style="font-family: Verdana;">Konkursi sponsor on Tallinna Spordi- ja Noorsooamet.</span><span style="font-family: Times-Roman;"><o:p></o:p></span></div><div class="MsoNormal" style="mso-layout-grid-align: none; mso-pagination: none; text-align: justify; text-autospace: none;"><br />
</div><div class="MsoNormal"><span style="color: #2a2a2a; font-family: Helvetica;">T</span><span style="color: #2a2a2a; font-family: Verdana;">ÄPSEM INFO KODULEHEL <a href="http://www.luubiall.ee/"><span style="color: #0021e7; text-decoration: none; text-underline: none;">www.luubiall.ee</span></a></span><span style="font-family: Verdana;"><o:p></o:p></span></div><div class="MsoNormal"><span style="color: #2a2a2a; font-family: Verdana;">ja Muusikaosakonna veebipäevikus aadressil <a href="http://www.keskraamatukogu.ee/muusika/blog"><span style="color: #0021e7; text-decoration: none; text-underline: none;">www.keskraamatukogu.ee/muusika/blog</span></a></span><span style="font-family: Verdana;"><o:p></o:p></span></div><div class="MsoNormal"><br />
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</div><div class="MsoNormal"><span style="font-family: Verdana;">LUUBI ALL toimkond</span><span lang="CS" style="mso-ansi-language: CS;"><o:p></o:p></span></div><!--EndFragment-->Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com12tag:blogger.com,1999:blog-8240270617796608534.post-61008753467252814282011-12-14T17:35:00.001-08:002011-12-14T17:36:52.068-08:00„Suusabaasis on tantsupidu“ tuleb Tartusse<div class="MsoNormal"><span lang="ET"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">14.01.2011</span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">,</span></b></span><span lang="ET"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> „Suusabaasis on tantsupidu“</span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> (</span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Grete</span></b></span><span lang="ET"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> Madisson - MuKriErikursus 2010 VKA</span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">)</span></b></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">14. jaanuaril 2011 toimus Tartus Genialistide klubis üritus nimega „Suusabaasis on tantsupidu“. Üritus oli mõeldud erineva muusikamaitsega inimestele – all korrusel mängisid erinevad DJ-d tantsumuusikat, üleval toimus alternatiivse muusika kontsert. Ise osalesin viimasel. <o:p></o:p></span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
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<span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"><a name='more'></a></div></span><br />
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</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Esimene, soojendusbänd Plagueround alustas lõputu introga, mis ei tahtnud kuidagi lõppeda. Muusikud tegid oma tööd hästi kuid minu jaoks jäi see igavaks, professionaalseks aga igavaks. Esimeste lugude ajal valitses ootusärevus, et millal tuleb mängu vokaal, lõpuks kui ta tuli, soovisin, et poleks tulnud... Kokkuvõttes jättis too bänd mind külmaks. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Järgmine bänd Outist koosneb Raplast pärit andekatest muusikutest, kes 2009. aastal rocki-liini pooleli jätsid ja uue-kooli jazzi viljelema hakkasid. Kuna poisid on ise suured Jaga Jazzist fännid, siis ei tee nad ka enda muusikale allahindlusi. Lõpututest proovidest ja bändilaagritest on olnud kasu, sest Outist on kvaliteetne ja ainulaadne Eestis. Tuntuimas palas „Vikipeed“ võib kuulda erinevaid löökpille, klahvpille, bassi, elektroonilisi effekte, kuid pala keskmeks on </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">trompet</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">, mis muudab pala nauditavaks tervikuks. Outist on bänd, kelle esikalbumit tasub ära oodata! <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Järgmiseks astus lavale rahvale juba tuntum indie-muusika bänd Animal Drama, kelle </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">kava</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> koosnes põhiliselt nende debüütalbumilt pärinevatest lugudest. Bändi teeb eriliseks laulja Fredy </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Schmidt</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">´i kõrge hääletämber, kuid samas on häiriv asjaolu, et laval paistab ta kui superstaarisaate Marten Kuninga jäljendaja, seda nii oma žestide kui väljanägemisega. Bändi üldine imidž teenis aga tol õhtul plusspunkte, sest ülikonnad ning kikilipsud panid nii mõnegi näitsiku lava ees hulluma. Kui Animal Dramat kellegagi võrrelda, siis esimesena meenub Jeff Buckley, kelle hääl samuti kõrges registris hästi kõlab. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Õhtu lõpetas verivärske Astrobeat. Astrobeat on segu r´n´b-ist, popist, funkist ja jazzist. Bänd sündis 2010 kevadel. Pillimehed on enamjaolt pärit Raplast, vokaal Mariann Saar, kes sai tuntuks saates „Eesti otsib superstaari“ on pärit Tallinnast. Astrobeat on omanäoline, sest Eestis just palju r´n´b muusikat ei tehta. Astrobeat´i mahe muusika ning professionaalne lauluoskus võitsid ka Genialistide klubis publiku südame ning panid jalad tatsuma. Kui millegi üle nuriseda, siis selle, et bändi väline imidž vajab veel kõvasti tööd, et ühtne tervik saavutada – esiklaulja maika ja ketsid ei sobinud tema ilusa lauluhäälega kahjuks kokku, samuti ajasid segadusse taustalauljate kostüümid, mis ei sobinud kokku ei laulja ega pillimeeste stiiliga. Ühesõnaga on see bänd esialgu kuulamise, mitte vaatamise jaoks. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kokkuvõttes võib öelda, et kontsert moodustas terviku, sest kõik artistid, publik ning Genialistide klubi moodustasid kokku „alternatiivse kogukonna“. Üritusest tervikuna jäi väga hea mulje ning pea iga bänd oli piletiraha vääriline. <o:p></o:p></span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
Grete Madisson (TÜ VKA Kultuurikorralduse tudeng)<o:p></o:p></span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Arvustus osales konkursil NOORTE KRIITIKUTE LUUBI ALL 2011 I etapil (www.luubiall.ee).<o:p></o:p></span></span></div><div class="MsoNormal"><br />
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</div>Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-69864120798006526982011-12-14T17:34:00.000-08:002011-12-14T17:34:30.995-08:00Everybody HURTS<!--StartFragment--> <br />
<div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b>25.01.2011, Hurts (UK), Kalev Sportshall, Tallinn </b></span></span><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b>(Daisi Part - </b></span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b>MuKriErikursus</b></span></span><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b> 2010 VKA)</b></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">The british syntpop duo Hurts was performing on 25th of January at Kalev Sportshall. At first the concert was planned for a smaller venue called Rock Café, but the promoters brought the event to the three times bigger Kalev Sportshall because of the massive interesst of the audience. British gentlemen – Theo Hutchcrafti and Adam Anderson – were supported by our hometown band Shirubi Ikazuchi aka Silvi Pilt.<o:p></o:p></span></span></div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
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</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Hurts is a british syntpop duo from Manchester, which includes the composer and singer Theo Hutchcraft, and the keyboards player and guitarist Adam Anderson. After their first band “Daggers” were broke up in 2008, the 25-years old Adam and 23-years old Theo started new duo called Hurts. Quite recently, on 23 of August 2010, Hurts published their second single „Wonderful Life“, which is still their best known song. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">There was a big line front of Kalev Sportshall when I finally got there. Thankfully I got in quickly because of an invitation I had. Everybody intruded in the first minutes and suddenly the whole wardrobe was falling down. Fortunately they solved that problem in less than ten minutes.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">It took about two hours before the support band started to perform. The lead singer was wearing a beautiful dress, so the audience were baffled. I m quite sure that this concert was a huge step to the music business. The sound was suprisingly good considering that it was the first concert in Kalev Sportshall.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">About one more hour waiting when finally Hurts showed up. Hurts got a very warm acceptance by the audience. Who would have ever believed that this concert will be their biggest until this day. Usually they have performed for about a thousand people, but in Estonia there were about 4000 people listening them.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Hurts played all of their best known songs like “Stay”, “Blood, Tears and Gold” and ofcourse „Wonderful Life“, which is the most emotional song of their repertory. In the end of the concert the audience called them back to the stage and they played one more song called „Better than Love“.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Hurts has its original movement on the stage, which describes the band most. In addition Hurts have one back up singer, who is 2 meters and 13 cm tall. When I told it to my friend she didn´t belive it at first.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">The concert lighting were in accord with the band‘s style. They tried to use classical colour combinations. Like I said before the sound was good.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Hurts performed about one hour, which seems too short for a live-show, but actually I know that they didn´t have more songs left. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">At the end of the concert the public was running to the wardrobe to get their clothes fast, but anyway some people had to wait about one hour to leave from Kalev Sportshall.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Everybody HURTS means that it seemed to me, that this concert was bruising absolutely everybody, including the audience, the promoters and the band themself. Also we can read this in their blog: “Tallinn! Estonia! Too much emotion for words. A true spectacular. 4000 beautiful bleeding hearts. A new homeland. Aitäh, Aitäh, Aitäh!”<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Daisi Part </span></span><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">(UT VCA Student of Cultural Management)</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">The longer estonian version of this review participated in the contest IN FOCUS OD YOUNG CRITICS 2011 I round (www.luubiall.ee).<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><!--EndFragment-->Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-55027177065617134432011-12-14T17:32:00.001-08:002011-12-14T17:32:59.688-08:00Everybody HURTS<div class="MsoNormal"></div><div class="MsoNormal"><span lang="EN-GB"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">25.01.2010, Hurts (UK), Kalevi Spordihall, Tallinn (Daisi Part - MuKriErikursus 2010 VKA)</span></b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Lumisel teisipäeval, 25. jaanuaril, leidis aset briti süntpop duo Hurtsi kontsert Kalevi Spordihallis. Algselt oli kontsert üldse plaanitud väiksema saaliga Rock Café‘sse, kuid massiivse publikuhuvi tõttu viisid korraldajad ürituse üle kolm korda suuremasse Kalevi Spordihalli. Briti härrasmehi – Theo Hutchcrafti ning Adam Andersoni – soojendas meie kodumaine Shirubi Ikazuchi aka Silvi Pilt.<o:p></o:p></span></span></div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
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</div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Hurts on briti süntpopi duo Manchesterist, kuhu kuuluvad helilooja ja laulja Theo Hutchcraft ning süntesaatorimängija ja kitarrist Adam Anderson. 25-aastane Adam ja 23-aastane Theo alustasid duona Hurts peale eelmise bändi Daggers lagunemist 2008. aastal. Alles hiljuti, 23. augustil 2010, avaldati nende teine singel „Wonderful Life“, mis on siiamaani bändi tuntuim lugu.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kontsertipaika jõudes oli Kalevi Spordihalli ees mitmekümne meetrine külalistest moodustunud järjekord. Õnneks ma ise ei pidanud talvise pakase käes “inimestesabas” seisma ja sain oma kutse alusel kiiresti uksest sisse sooja. Esimestel minutitel kõik inimesed trügisid garderoobis ja tahtsid võimalikult kiiresti lava ette jõuda, selle tulemusel aga käis kõva mürin ja kolin, ning enamused garderoobi puud kukkusid korraga pikali. Õnneks oli korraldajate reaktsioon kiire ja probleem suudeti lahendada vähem kui kümne minutiga.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Soojendubändi Shirubi Ikazushi lavale tulekuni kulus ligi kaks tundi uste avamisest. Sinnamaani laiemale publikule tundmatu esineja Silvi Pilt lõi publiku oma stiilse kleidga pahviks. Olles eelnevalt kursis tema loominguga, julgen väita, et Hurtsi soojendajana pani ta aluse oma kiirele tõusuteele muusikamaastikul. Helikvaliteet oli ka üllatavalt hea, võttes siinjuures arvesse, et Kalevi Spordihallis pole varem suurkontserte korraldatud ning suudeti saavutada esimese korraga hea kõla. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Ligi tunnike tuli veel oodata kuni peaesineja lavale tuli. Vahepeal sai oma aega sisustatud Kalvi Spordihallis ringi vaatamisega. Olles seal eelnevalt kergejõustikuga võistlustel käinud, siis selleks õhtuks oli see ikka täiesti korralikuks kontsertsaaliks muudetud, avatud olid isegi erinevad joogimüügipunktid, mis ainult tolleks õhtuks sinna rajatud olid.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Hurts sai lavale tulles publiku poolt väga sooja vastuvõtu osaliseks. Kes oleks elus uskunud, et Eesti kontsert on nende sinnamaani suurim lavaline kogemus publiku arvu suhtes. Tavaliselt umbes tuhandepealisele publikule esinedes, oli Eestis nende suureks üllatuseks neid kuulama tulnud ligi 4000 pealine rahvahulk.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Hurts esitas oma kontserti raames kõikki oma tuntumaid lugusid. Esitusele tulid nii “Stay”, “Blood, Tears and Gold” kui ka “Wonderful Life”, mille võttis publik eriti emotsionaalselt vastu. Kontserti lõppedes oli kuulmata veel ainult nende kõige esimene lugu, kuid rahva suure nõudmise tõttu tuli bänd lavale tagasi ning esitas ka selle loo siiski ära.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Lavaline liikumine oli Hurtsil omapärane, mis jäi kohe silma. Laulja alustas kontserti põhimõtteliselt paigal seistes, kuid lõpetas selle hoopis imelike liigutuste saatel, mis iseloomustabki antud bändi kõige paremini. Lisaks lisas nende live-show´le vürtsi ka nende üks ooperilauljast tasutalaulja Richard, kelle puhul on eriline see, et ta on nimelt 2 meetrit ja 13 sentimeetrit pikk. Kui ma seda oma sõbrannale kontserti ajal ütlesin, siis tuli välja, et tema oli sinnamaani terve õhtu arvanud, et too tüüp seisab mingi platvormi peal, et teiste kõrval nii pikk välja paistab.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kontserti visuaalsed valgusefektid olid bändi stiiliga kooskõlas, nimelt ei kasutatud igasuguseid erinevate värvide kombinatsioone, mida üldjuhul näeb igal kontsertil, vaid püüti säilitada selline klassikaline värvide lahendus, kus põhirõhk oli sinisel valgusel. Helilise poole pealt, nagu juba eelnevalt mainitu, oli kõla üllatavalt hea.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kontsert kestis koos lisalooga ligi tund, mis tundub live-show jaoks kuidagi liiga lühike aeg. Minagi oleks tahtnud rohkem seda nautida, kuid teades, et bänd on alles nii värske ja et neil ei olegi rohkem lugusid mida esitada, siis ei hakka ma millegi üle ka kurtma. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kontserti lõppedes jooksid muidugi kõik inimesed korraga garderoobi, et võimalikult kiiresti oma asjad sealt kätte saada, kuid ilmselgelt tuli mõnel inimesel oodata ligi tund, ennem kui majast lahkuda sai.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Everybody HURTS viitab sellele, et mulle isiklikult tundub, et see kontsert läks hinge absoluutselt kõigile, nii publikule, korraldajatele kui ka bändile endale. Nende nn blogist on võimalik lugeda: “Tallinn! Estonia! Too much emotion for words. A true spectacular. 4000 beautiful bleeding hearts. A new homeland. Aitäh, Aitäh, Aitäh!”<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="EN-GB"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Daisi Part (TÜ VKA Kultuurikorralduse tudeng)<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Arvustus osales konkursil NOORTE KRIITIKUTE LUUBI ALL 2011 I etapil (www.luubiall.ee).</span><o:p></o:p></span></div>Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-57032929213584814902011-12-14T17:30:00.001-08:002011-12-14T17:30:59.755-08:00The next big Thing or living your future life in a small apartment?<!--StartFragment--> <br />
<div class="MsoNormal"><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">25</span></b></span><span lang="ET"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">.01.2011, Hurts (UK), Kalev Sportshall, Tallinn (Rein Kutsar - MuKriErikursus 2010 VKA)</span></b></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">January 25, 2011 UK's Synth-pop duo called Hurts performed in Tallinn Kalevi Spordihall. Where they </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">held</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> their biggest concert ever. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">The concert</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> was about one hour long and they played most of the</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">ir</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> famous songs. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">The duo</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> had also a stageband with them, with backvocals, extra </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">synth-player</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> and a </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">drummer, who</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> put a lot of effort in</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">to</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> th</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">e</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> show </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">to enssure</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> the success of this concert. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
</span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"></span></span></div><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"><a name='more'></a></div></span><br />
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</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Music journal New Musical Express </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">has</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">called</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> Hurts </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">„Officially</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> the next </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">big</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> Thing".</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> Before</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> this show I was a bit sceptic</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">al</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> about </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">musical quality</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> of this band, but after the show I felt </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">something</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">, what was behind those men. With their first few songs they </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">already</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">took over</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">the</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">crowd</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> and </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">a kind</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> manipulation with</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> the</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> people was </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">already</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> started. All the girls were screaming and most of the listeners w</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">ere</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> in</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">to</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> it and there was some magic </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">around</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">it</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">I do not know about the future sensation or success of this band</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">,</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> but I think that those men would not move back to their small apartment.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">(UT VCA Student of Cultural Management)<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">This longer estonian version of this review participated in the contest IN FOCUS OD YOUNG CRITICS 2011 I round (www.luubiall.ee).<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><!--EndFragment-->Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-78141505193611743592011-12-14T17:29:00.001-08:002011-12-14T17:29:51.488-08:00The next big Thing või edaspidine elu väikeses korteris?<!--StartFragment--> <br />
<div class="MsoNormal"><span lang="ET"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">25.01.2010, </span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Hurts</span></b></span><span lang="ET"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> (UK), Kalevi Spordihall, Tallinn (Rein Kutsar - MuKriErikursus 2010 VKA)</span></b></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">25. jaanuaril 2011 esines Tallinna Kalevi spordihallis Briti süntpop duo Hurts, kes on viimasel ajal igapäevaselt tuntust juurde kogumas ning on oma praeguse teekonna kulgu arvestades </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">jõudmas</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> kultusbändi staatusesse. <o:p></o:p></span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
</span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"></span></span></div><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"><a name='more'></a></div></span><br />
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</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Korraldaja</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">on</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> bändi ja kontserdi kohta öelnud: „Huvi tänavuse talve suurkontserdi vastu on olnud niivõrd elav, et kontsert müüdi algses toimumiskohas Rock </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Café‘s</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> välja juba paar kuud enne toimumist ning viidi publiku massiivse huvi tõttu üle Kalevi Spordihalli.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">“<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Hurts</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> on briti süntpopi duo Manchesterist, kuhu kuuluvad helilooja ja laulja </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Theo</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> Hutchcraft ning süntesaatorimängija ja kitarrist Adam Anderson. Ajakiri New Musical Express on neid juba jõudnud nimetada kui </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">„Officially</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> the next big Thing</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">“</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">. ETV igapäevase saate Ringvaade intervjuus tõid mehed välja, et on oma karjääri nimel väga palju vaeva näinud ja enne seda polnud nende elu kuigi kerge. Väidetavalt olid nad kolm aastat tagasi veel töötud ning elasid riigi </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">toetusest</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> saadud raha eest väikeses korteris, kus </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">söödi</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">päevast</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">-päeva ainult makarone ja riisi ning väljas käidi ainult selleks, et poest süüa osta. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kui</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> väga aus olla, siis ma ei näe, mis on see nende suur fenomen. Mulle tundub, et tegemist on </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">suhteliselt</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> tavapärase, hästi turundatud orientatsioon-vähemuses oleva pop-duoga, kelle </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">muusika</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> on piisavalt lihtne ning muusika taga on omakorda „aww“ effekti tekitav kaastundlik </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">lugu</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> kahest noormehest, kes võitlesid välja oma koha </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Manchesteri</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> töötuklassist otse suurlavadele. Eestis antud kontsert oli suurim, mida Hurts nimeline kollektiiv eales andnud. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kalevi</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> Spordihalli jõudes sain aru, et </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">kohale</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> on tulnud rohkem kui kolm tuhat inimest, kes olid nõus maksma tunni ajase kontserdi eest </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">korralik summa</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">. Mõtlesin, et kas tegu on pelgalt majandussurutise ülemineku </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">perioodi</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> algusega või on Hurts nimeline duo ikkagi midagi paeluvat? Pop-duo oli enda</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">ga</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> kaasa võtnud </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">muusikalselt</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">kvaliteetse</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> saatebändi, kus oli mees</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">artist</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">ooperilauljast</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> taustalaulja, teise </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">süntesaatorimängija</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> ning trummari, kes aitasid nende </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">show‘le</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> väga palju kaasa. Kuigi </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">harjumuslikult</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> pop-muusikale väga suurte </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">show-elementidega</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> nende kontsert ei säranud. Võib-olla ongi </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">nende</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> menu </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">põhjus</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> tagasihoidlik maneer, mis lubab igalühel ilma liigse egoismita </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">nendesse</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">tungida</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> ja olla osa loodud muusikast. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Bändi</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> lavale saabumise ajal kostis ühekorraga kõrvulukustama panevaid helisid, nimelt ligi 1500 naisterahva kõrge </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">simultaanne</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> kiljatus, mis isegi ehmatas mind korraks, kuna olen varem sellist heli harjunud kuulma vaid Evis Presly ja The </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Beatles</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">kontsertsalvestuste</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> DVD'sid vaadates. Mu </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">mõtes</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> oli mõneminutiline seisak ja alles pärast esimest lugu sain oma esialgse rütmi tagasi. Pärast mida hakkasin tasapisi kuuldut analüüsima ning olin sunnitud oma eelneva pisut ükskõikse seisukoha tahaplaanile jätma ning süvenenult edasi liikuma. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Bänd</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> suutis ligi poole spordihalli kuulajatest enda lummusesse võtta ning suurem osa publikust õõtsus ja </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">„mängis“</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> esinejate </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">„pilli“</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> järgi kuni kontserdi lõpuni. Ma olin väga üllatunud kui suhteliselt kontserdi alguses, vist kolmanda loona, kõlas nende kõige kuulsam lugu „Wonderful life“, mis on bändi väitel satiiri ja eneseiroonia põhjal paberile pandud. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Sellega</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> oli publiku pilk staaridele naelutatud ning </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">näha</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> võis edaspidi vaid ainiti ühte punkti jälgivaid nautlejaid. Iga järgnev lugu sai umbes sama sooja vastukaja </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">osaliseks</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> ning arvatavasti nii kontserdikorraldaja, kui ka bänd jäi tulemusega </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">väga</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> rahule.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Hurts'i muusikast otseselt pole midagi väga erilist välja tuua. Nii pillimeestena, lauljatena kui ka laulukirjutajatena ei saa ma ütelda, et tegu oleks anomaaliaga, mis pealevaadates hetkeliselt välja paistaks. Nende muusika kirjeldab elu erinevaid tahkusid, mida teeb iga teine artist, rääkides oma rõõmudest ja muredest, unistustest ning mis on omakorda lihtsakoelisesse, ent huvitavalt dekoreeritud harmooniasse põimitud. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Hurts'i muusikat on võrreldud artistidega nagu Monarchy, White Lies ja Daggers, millest viimase laialiminemisel moodustus käesolev kollektiiv Hurts, kes viljelevad analoogset süntpop elektromuusikat. Ma usun, et näeme kui mitte selle aastanumbri sees, siis kindlasti järgmisel aastal sama kollektiivi Eestis esinemas, kuid arvatavasti siis juba suuremal laval ning </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">veelgi hiiglaslikuma</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> kiljatuse saatel. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kuna</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> muusikamaailmas üldse liiguvad rahad ja tulevikusuunad Live-kontsertide korraldajate nagu Live Nation kätte ja plaadifirmadele jääb üha </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">vähem</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> sõnaõigust, siis võib-olla tõesti istuvad mehed paadis, mille nina on õigesse suunda pööratud. Kogu maailmas koguvad ju hoogu 360' artistilepingud staaridega nagu Madonna ja U2, kus kogu promotsioon ja nänn-kauba müük on kontserdikorraldaja kätte suunatud, siis ehk ongi nemad just staarid, kes on justkui buffer uue ja vana vahel.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Ma ei tea väita, kas nende fenomen jätkub või mitte, aga väikesesse korterisse vast need mehed enam tagasi kolima ei hakka.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Rein Kutsar (TÜ VKA Kultuurikorralduse tudeng)<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Arvustus osales konkursil NOORTE KRIITIKUTE LUUBI ALL 2011 I etapil (www.luubiall.ee).</span><o:p></o:p></span></div><!--EndFragment-->Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-43445514343608618062011-12-14T17:13:00.000-08:002011-12-14T17:13:16.271-08:00Tallinn Club 2011 opening party with bass-music legend Shackleton from UK<!--StartFragment--> <br />
<div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b>31.12.2010 / 01.01.2011, Shackleton, Tallinn Club 2011 (Mart Nesser - MuKriErikursus 2010 VKA)</b></span></div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></span><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Tallinn Club 2011 means series of club-music events linked with Tallinn being European Culture Capital in 2011. I went to see only Shackleton, the legend and also second place owner in my top 5 of „must see“ list. <o:p></o:p></span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
</span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"></span></span></div><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"><a name='more'></a></div></span><br />
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</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">When I walked in, I saw that main hall was big white-coloured room, what I think should be perfect for modern art gallery or warehouse. Everything was so white and empty, not the sound-system of course. The sound-system was heavy and vibrating, a little bit to dry for my ears, but it had a LOT of power. Anyway, Shackleton means bass, so everything was in balance. I had a quick look to the B-hall, same white place, smaller although. No club-feeling in here, but I must say, that was not needed that night. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Shackleton started with a long intro, it was melodical, pitches went up and then came down. Then it started, the real Shackleton I know. Heavy, heavy, heavy. The bass wanted to rip off my pants, synth-lines tried to lift me higher than Hotel Viru, and these drums, taken from old asian movies or from god knows where. I cant put that emotion in words. I was dancing and dancing. I looked around for a second, and it still felt a bit empty for me, but i didn‘t care. Even the fact, that Shackleton was a DJ with a laptop, I still didn't care. Lighter dubstep-like stepping was slowly replaced with four-on-the-floor techno stepping. It was grazy, everything was grazy. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Shackleton is one of the few artist, who showed me a new dimension of being producer or DJ. Mindtrip with his music was a one time experience. Big up for the promoters!</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Mart Nesser </span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">(UT VCA Student of Cultural Management)</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">The longer estonian version of this review participated in the contest IN FOCUS OF YOUNG CRITICS 2011 I round (www.luubiall.ee).</span><o:p></o:p></span></div><!--EndFragment-->Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-83112521309262539692011-12-14T17:11:00.000-08:002011-12-14T17:11:42.300-08:00Tallinn Club 2011 avapidu koos briti bassimuusika legendi Shackletoniga<!--StartFragment--> <br />
<div class="MsoNormal"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">31.12.2010 / 01.01.2011, Shackleton, Tallinn Club 2011 (Mart Nesser - MuKriErikursus 2010 VKA)</span></b></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Peale tormilist uusaastaööd, kus tegin kella kolmest varahommikul veel kahetunnise dj-seti jõudsin uue aasta esimesel päeval Tallinnasse, et minna kuulama, kuidas tõelised legendid muusikat mängivad. Üritus kuhu sammud seadsin kandis nime Tallinn Club 2011. See tähendab, et tegemist oli esimese klubimuusika sündmusega seoses Tallinna olemisega Euroopa kultuuripealinn 2011. Mis minu jaoks oli oluline, kohale oli kutsutud minu absoluutsesse lemmikusse kuuluv Shackleton. Seetõttu keskendun üritusel vaid põgusalt teistele artistidele, sest läksin eelkõige Shackletoni kontserdile.<o:p></o:p></span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
</span></span></div><div class="MsoNormal"><span lang="ET"></span></div><div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><a name='more'></a></span></div><br />
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</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Astusin peole natukene peale südaööd. Üritus leidis aset Metro Plaza teisel korrusel, mis oli muudetud kahe saaliga ööklubiks (vähemalt nii oli võimalik lugeda näoraamatust). Tegelikkus tähendas kõrgmoest inspireeritud suuri valgeid saale. Mis omamoodi mõjusid värskendavalt. Võin kohe öelda, et klubitunnet ei tekkinud kordagi, aga võib-olla seda polnudki vaja. Mul oli natukene aega teha lähemalt tutvust kogu selle kohaga. Peasaal oli suur, igapäevaelus võiks seal vabalt olla laoruum või modernse kunsti galerii. Seinad, lagi, põrand olid heledad, peaagu valged. Helisüsteemi oli veetud sinna päris palju. Kuna Shackletoni loomingu võtmesõnaks on bass, siis on see iseenesest mõistetav. Saalis mängis parasjagu Rainis Jancis live, mis kujutas endast ambient muusikat, mida tüüp tegi elektrikitarriga ning päris paljude effektiplokkidega. Helipilt oli täitsa huvitav, minujaoks esmakordne. B-saal ehk siis väike saal kujutas endast samavalget ruumi mille ühes otsas mängis DJ.<o:p></o:p></span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Võtsin midagi kosutavat juua.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Shackleton alustas pika introga, nagu kohane. Jälgisin rahvast, seda oli vähe. Või oli ruum liiga suur. Esimeste bassikäikude saabudes tajusin, et sound on kuiv. Mahlakust, mida ootasin, jäi tulemata. Ruumi eripära arvestades paitas heli siiski kõrvu, oli ju tegemist kiviseinte ja põrandate ja lagedega, kus vahel olid ka aknad. Ja siis see tuli, intro lõppes ühe korraliku hurraaga ja edasi läks juba Shackletonile omaselt idamaiste trummide minimaalne kuid samas väga meloodiline mäng, mis on seotud pikkade, natukene kõrvakriipivate sündiliinidega ning selle kõik paneb põrkama vaid Shackletonile omane marupöörane bassikäik. Mees alustas uute ning vähe meloodilisemate träkkidega. „Man On a String“, „I Want to Eat You“, rohkem polnudki vaja. Mina tantsisin. Kõik tantsisid! Aga siiski tundus see kõik natukene tühi. Korraks jäi mulle, kui vähe lihtsamale väikelinna inimesele tunne, et pidu on eelkõige mõeldud prominentsetele noortele, kes üksteisele oma uuemaid moehitte käivad näitamas. Sünge must saal ja pehmem heli ning inimesed rohkem kokkupakitud, siis oleks sellest üks tõsine uusaasta reiv tekkinud. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Shackletoni vaadates tabasin ma end samalt vanalt mõttelt, sülearvutiga DJ on väga igav esineja, keda vaadata. See selleks, panin silmad kinni. Mida lugu edasi seda segasemaks kõik läks, lood muutusid jõhkralt konkreetseks. Kerge dubstep'ilik astumine oli asendunud raju techno-küttega. Polnud mitte ühtegi neist kuulnud. Mees ei hoidnud tagasi ja ei lasknud hinge tõmmata. Õige mees. Väga raske on kirjeldada seda emotsiooni ja seda jõudu mida Shackletoni muusika sel õhtul edasi andis. Vähesed kargasid ringi. Inimesed seisid ja vaatasid ja kuulasid, rahulikult, nagu tegemist oleks ballaadidega. Ei tea kas tegemist oli uusaastaväsimusega, aga igatähes suutsin mõelda, et DJ puldist võib see tunduda väga kahtlane. Saalis olles aga tundus kõik õige, see muusika ei peagi väänlema panema. Shackletoni muusika viib sind mõtetes eemale, puhkama, läbi raju ning samas kerge klubimuusika astumise. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kui Shackleton oma seti lõpetas, pidas publik õigeks teda suure aplausiga tänada. See hetk eristas minujaoks selle ürituse tavalisest klubipeost. Tekkis tunne, et seda võiski kontserdiks pidada. See oli uutmoodi ja huvitav kogemus ning emotsioon peale Shackletoni oli võimas. Unustasin kõik muu – natukene kuivavõitu heli ning veidikene kahtlase peokoha. Mees jättis endast täpselt sellise mulje nagu pidi, võimsa. Pani kõik muu unustama ja keeras tunniks ajaks lukku kogu teadvuse ning lubas kõrvadest sisse vaid helisi. Ma ei tahtnud sel ööl midagi muud enam kuulata, seega kui Mutant Disco mehed alustasid oma setti, astusin ma peolt välja, olin alustanud uut aastat rohkem kui positiivse muusikalise mõttereisiga. Korraldajatele pöidlad üles!<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Mart Nesser (TÜ VKA Kultuurikorralduse tudeng)<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Arvustus osales konkursil NOORTE KRIITIKUTE LUUBI ALL 2011 I etapil (www.luubiall.ee).<o:p></o:p></span></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
</span></div><!--EndFragment-->Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-11670953026461496472011-12-14T16:55:00.001-08:002011-12-14T16:55:45.310-08:00Värvika talireega Aita<!--StartFragment--> <br />
<div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b>Meelika Hainsoo, Cätlin Jaago, Sofia Joons, Tuule Kann, Ando Kiviberg, Karoliina Kreintaal, Tarmo Noormaa, Maarja Nuut, Sandra Sillamaa, Juhan Suits, Tõnu Tubli, Lauri Õunapuu ning ansamblid RO:TORO ja Gjangsta Viljandi Pärimusmuusika Ait (Kaire Kartau - MuKriErikursus 2010 VKA)</b><o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Külmal talvekuuõhtul 2010 külastasin Viljandis Pärimusmuusika Aita, et osa saada nende enda korraldatavast Talvegaalast. Tegemist oli ülevaatekontserdiga, kus astusid üles Eesti säravaimad pärimusmuusikud Meelika Hainsoo, Cätlin Jaago, Sofia Joons, Tuule Kann, Ando Kiviberg, Karoliina Kreintaal, Tarmo Noormaa, Maarja Nuut, Sandra Sillamaa, Juhan Suits, Tõnu Tubli, Lauri Õunapuu ning ansamblid RO:TORO ja Gjangsta. Kunstiliseks juhiks oli Ando Kiviberg, lavastajaks Indrek Sammul, kontserdi õhtujuhiks aga Jaak Johanson. Et väärikas sündmus jäädvustada, otsustas ERR-i Klassikaraadio 75-minuti pikkusest gaalakontserdist teha ka helisalvestise, mida pakutakse alanud aastal Euroopa Ringhäälingute Liidu (EBU) liikmesjaamadele.<o:p></o:p></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
</span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"></span></div><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"><a name='more'></a></div></span><br />
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</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Juba Aida uksest sisse astudes tervitasid mind naeratavad näod. Hoolimata sellest, et jõudsin kontserdile vahetult enne kontserdi algust, jõudis teenindav personal kõigega ilusasti hakkama saada. Seepärast oligi üllatav, et kontsert hilines rohkem kui kümne minuti võrra. <o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Õhtut juhtis Jaak Johanson, kes tundus olevat, eriti konserti alguses, veidi ärevil ja hajameelne, kuid siiski andis vajaliku info ilusasti saalisolijatele edasi. Tagasihoidlikum ning ärevilolev maneer tõstis Johansoni publiku pailapse staatusesse – sai ta ju sõna iga esineja järel veidi häbeliku, kuid olukorda nautival moel. Kontserti sisse juhatades kõrvutas Johanson toimuvat üritust talireega. Selline tähtis toiming, siinkohal pärimusmuusika uus talve tähtsündmus, võiks toimuda ju igal talvel, sest see on niivõrd oluline tagamaks pärimusmuusika professionaalse esituse mittesessoonseks muutumisel. Ilusa alguse eest sai kõneleja kindlasti rahvalt plusspunkte juurde.<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Esimesteks esinejateks olid Lõuna-Eesti mehed. Juhan Suits, Silver Sepp, Tarmo Noormaa, Lauri Õunapuu ja Jalmar Vabarna esituses kõlas üks õige meeste laul, mille järel tuli lavale õhtu kunstiline juht ja Pärimusmuusika Aida isa Ando Kiviberg oma torupilliga. Ka tema tundus samuti nagu Johanson olevat veidi ebakindel. Ega sündmust korraldada ja sealsamas pillimänguga üles astuda pole ju teab mis lihtne ülesanne! <o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Peale „meeste pealetungi“ oli Tuule Kanni kord näidata, mida ta kandlelt suudab välja võluda. Tõepoolest. Vaatamata mõnele apsule on tegu siiski meie oma harfilist valdava meisterliku haldjaga. Jah, just nimelt haldjaga, sest järgmisena tuli kuuldavale õrnahäälne „Joosi, Joosi üle mäe“, millest haaras kinni kohe ka publik ja laulis seda südamevärinal kaasa. Publik oli kui võluväega nõiutud.<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kui kõik jälle vaikseks jäi, võttis õhtu rakmed üle Sofia Joons, kelle trumbiks oli justkui raskepärane, rokilik, isegi anarhistlik hiiukandlemäng. Seekord püstijalu ja pill kitarri moodi paelaga kaela küljes peaaegu horisontaalasendis rippudes. Vot nii kõlabki üks õige veidi rustikaalne vana Lääne-Eesti lugu tänases päevas. Eriti kihvt, et sellise justkui meheliku esitusega julgeb teistest eristuda naine. Kui meenutama hakata, siis tavaliselt on sellise stiiliga ülesastujaiks hoopis mehemürakad mitte õrnad naishinged.<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Naistele vaheldust pakkudes mängis Võrumaa lõõtsamees Tarmo Noormaa natuke polkat, Karl Kikase oma seekord. Polka nagu polka ikka. Kõlas kuidagi kodusemalt eelmise eksootilise esitluse järel. Kuid Joons tuli tagasi oma veidi võõrapärasusega. Oma juuri tunnetades esitas ta koos Meelika Hainsooga Eesti-Rootsi rahvakoraali, Hainsoo eesti keeles ja Joons oma emakeeles, rootsi keeles, inglihäälselt ilusat luues. Kõlas vägagi kaunilt. Enam ei olnud jälgegi Joonsi eelmisest täiesti erinevast esitusest, kuid siinkohal ei saa ma öelda, kumb oli parem esitlus. Mõlemas oli oma nägu ja stiililt erinesid nad ka – nii oli Joons justkui ise mitme näoga osav nätleja. <o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Ja nüüd Knif! Ei see pole koer, see on hoopis uue nimega Maarja Nuudi, Karoliina Kreintaali ja Tõnu Tubli ühendav kollektiiv. Noored linalakad käsitsevad viiuleid kui üht omaenda kehaosa. Esitatud „Harju keskmine“ on nende esituses iga kord üllatav, ka seekord. Nende oskust vanadelt arhiivilintidelt autentselt muusikat taas esitada, nende lugudest ülesleitud pärlid särama panna ja sinnajuurde omalt poolt lisada huvitavaid deitaile ei oma iga muusik. Üks neist detailidest on ka Tõnu Tubli, kelle kanda on ansamblis rütmipillidel musitseerimine. Ei saa ütlemata jätta, et kooslus „kaks viiulit ja trummid“ ei kõla just eriti veenvalt, kuid, palun, ärgem laskem end eelarvamustest mõjutada, sest tegemist on tõepoolest üllatavalt vahva pundiga. Seda on aru saada ka sellest, kui hästi kõlavad kokku Nuudi ja Kreintaali hääled ühes Kuusalust pärit kiigelaulus. Nende noorte jaoks on silmnähtavalt (või siis kõrvkuuldavalt) Eesti liiga väike.<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Teine vapustav punt on Ro:Toro, kes koosseisus Sandra Sillamaa, Cätlin Jaago, Marko Mägi, Marek Talts ja Silver Sepp esitasid seekord veidi üllatavamas võtmes Hiiumaa mehe Juhan Maakeri „Vabariigi polka“. Isegi mu kõrvaloleval mitte-eestlasel, kes pärimusmuusikast miskit pidada ei, hakkas jalg tatsuma ja pea muusikataktis õõtsuma. <o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Mitmele mõnusalt tempokale koosseisule järgnesid taas Meelika Hainsoo ja Tuule Kann, kes esitasid imelise laulu Siberi eestlaste üleskirjutatud “Tere õhtust, armas tütarlaps”. Kohe oli ka kuulda, et laul on justkui teise struktuuriga kui muidu kõlanud laulud. Hea on kuulda, et ka miskit täiesti uus-vana on leitud.<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Ja taas rütmikama Ro:Toroga lahingusse! Bändi naispool paneb parmupillidega (“Labajalad Läänemaalt” või Läänemaa labajalgadega rongi liikuma ja rongi etteotsa saavad juba Lauri Õunapu ja Tarmo Noormaa, kes samuti esitavad laulu, mida suurem publik pole eriti kuulnudki. Jutustus mehest, kes võttis vana naise ja kuidas „naine maha suri“, pani publiku jälle mõnusalt kaasa elama. Kõik laulsid ja naersid. Kõik oskasid, vaatamata veidi ropule laulu sisule, asjast mõnu tunda. Jõudsime kõik koos simmanimelumeeleolusse, mida olen juba kaua otsinud!<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Mehised ohjad võttis üle kultuuriakadeemia tudengitest koosnev näppepillide kvartett Gjangsta, kes esitas vastilmunud debüütplaadi nimilugu “Sipelgapolka”. Mandoliinidel (Jalmar Vabarna, Villu Talsi) ning kitarril (Jaan Jaago) kõlasid mõnusad soolod ja neid suutis suurepäraselt ohjes hoida hetkel Rootsis õppiv, ja oli kuulda ka, et sealt uut hingust oma pillivaldamistehnikaisse saanud, kontrobassimängija Taavet Niller.<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Pika talveree lõpetas ühine koosmäng. Kõigepealt tuli Kiviberg torupillil ja seejärel tema eestvedamisel Kihnu “Harja otsimine”, mille sõnad ei tundu Kivibergile väga tuttavad olevat – need läksid meelest ja tempo muutus seetõttu aeglasemaks. Sooloesineja püüdis oma ärevust varjata liigse “silmad kinni ja kaifin täiega” miimikaga, kuid mõned minutid hiljem teesklus kadus ja Kiviberg muutus tagasi temaks endaks, kes tõepoolest oskab ennast ja teisi laval nautida. Niisiis kõlasid ühisesituses juba “Ai niga-naga” ja “Aamer August”. <o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Ja siis saigi suures saalis kõik läbi. Esinejad lahkusid lavalt ja mulle jäi sisse, erinevalt oodatust, mõnus soe tunne. Tõesti, valitud muusikud täidavad oma kohta ja nagu näha, siis on ka olemas veel muusikat, mida ajaloohõngust avastada. Ikka veel. Vaatamata väikestele muusikute viperustele tundus olevat suurem aps lavastajatöö olematuses. Esinejad istusid laval reas ja ootasid oma järge. 75 minutit pole kuigi lühike aeg ja publikul oli hästi näha, kes muusikutest kui väsinud on või kui ebamugevalt end järjekorras tunneb. Kui publik sai end käetugedega toolidel istudes hästi tunda, siis esinejad pidid püsima justkui pisikestel piinapinkidel. Ja see, „esinejate kannatused pinkidel“ oligi nähtavalt ainus lavastuslik element. Nojaa, ka Johanson oli laval, kuid tema sai veidi rohkem jalgu sirutada. Seega polnud tegemist etenduse või siis lavastatud kontserdiga, vaid lihtsalt mõnusa kergema kontserdiõhtuga.<o:p></o:p></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kuigi muusikutel juhtus väikesi apse sisse tulevat ja kontsertil märgatav lavastuse pool puudus, oli kontsert ometi vahva. Kui noored otsivad vana, loovad uut ja esitavad jutustusi vabal ajal, kui isu on, siis ükskõik kus ja ükskõik kellele – nagu oli näha kontserdi järel Aida kohvikus toimunud jämmil, ei oska enam midagi paremat tahtagi. Kui üks päev raadiost sedasama „taliree“ muusikat kostub, siis kindlasti kuulatage. Kuulatage ja teil tuleb soojus südamesse.<o:p></o:p></span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
</span></div><div class="MsoNormal"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kaire Kartau (tudengist asjaamastaja, VKA kultuurikorralduse üliõpilane)</span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><br />
</div><!--EndFragment-->Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-64073063184178570722011-12-14T16:45:00.000-08:002011-12-14T16:45:05.019-08:00Unbelievable! Tony Allen plays together with Estonian jazz all-stars band<!--StartFragment--> <br />
<div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b>19.12.2010, Tony Allen and Estonian jazz all-stars</b></span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b> band,</b></span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b> Jagaspace, Rock Café, Tallinn (Laura Kivik - MuKriErikursus 2010 VKA)</b></span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">The long-awaited star of afrobeat and great drummer Tony Allen finally made it to Estonia at the end of december. Tony Allen’s concerts were postponed already two times before, so everybody were superexcited about Allens arrival – the audience, the organizer and the artist himself. The concerts were cancelled earlier due to the wheather, Allen and his band were stuck in Paris airport.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
</span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"></span></span></div><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"><a name='more'></a></div></span><br />
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</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">But finally he made it! Unfortunately this time we also can not talk about the perfect course of events because only the guitarrist Kologbo Orghene made it to Estonia with mr Allen. This time it was also the wheather’s fault and the other members and the sound engineer could not take off again. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">The night before the concert day the organizer Helen Sildna was constantly in touch with Tony Allen and his tour manager having only one question on their minds – what to do now? Should the concert be postponed for the third time? This option was precluded, because that would have been unfair to Allen’s fans and also to Tony Allen himself. Another option was to find out maybe Kologbo and Allen would like to perform together as duo? We are still talking about a world famous drummer and a very talented guitarrist! But this plan also did not work and finally Allen gave his permission to put together an „Estonian all-stars band“ to perform with him and Kologbo. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">At first it seemed really difficult to find competent musicians to play with Allen, but in reality it was very easy – probably every artist would freak out if they would receive a call about wether they would like to perform with Tony Allen in few hours. Sildna managed to involve the elite of Estonian jazz: Peedu Kass on the bass, Jaak Sooäär on guitar, Kristjan Mazurtchak & Raivo Tafenau on saxophone, Raun Juurikas on keyboards, and vocalist Sofia Rubina.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">All the musicians came together only few hours before the concert to confirm the tracklist and talk about what they are excactly going to do. Tony Allen’s term to the „Estonia all-stars band“ was that all the musicians have to know how to play afrobeat. Of course Sildna couldn‘t find experts. I doubt if there are such afrobeat experts in Estonia at all, but from the moment Allen started to instruct Estonian musicians we can now say that there are quite some real afrobeat experts in Estonia now. But they also have had a great teacher!</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">The warm-up band Jagaspace, influenced by oriental sounds and electronic effects, is a new and exciting group, but not my taste. The musicians were very professional, but to me something was missing. I dont think it was sincerity, but for some reason I did not believe in their performance. For me it is really difficult to understand such music where the band is strongly influenced by music of other origins. Some are just too strong for following and the imitation seems in some cases insincere and even wrong to my taste. On the other hand it seemed Jagaspace got some new fans because the audience seemed to like them.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">The headliner Tony Allen’s performance was late, but the warm up band was also late. But I can confirm indeed that Allen’s late entrance was compensated by his performance on the stage. I can only praise the Estonian musicians also. When I heard that there will be Estonian jazz musicians playing with Allen, I was a bit sceptical. Not that I don’t respect Estonian jazz-musicians! Not at all, in fact any group including for example Jaak Sooäär, Peedu Kass or Sofia Rubina is magnificent. But I still could not imagine how does the elite of Estonian jazz musicians sound together with the genius of afrobeat – Tony Allen. Especially if knowing that they have rehearsed together for only few hours. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">But my preconceptions were wrong, the concert was great! A bit inapt seemed the fact that all the Estonian musicians kept while performing their eyes constantly on Allen, it seemed a bit dilettante, it seemed as they were afraid. On the other hand the fear was justified – it is still Tony Allen we are talking about, the living master. And if the band has played together for only few hours before the show and they are performing Allen’s own songs, you have to hand the reins to Tony Allen and of course let him lead the band. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Of course/Indeed Allen coped with it perfectly and proved that he really is the star of afrobeat. I thought many times, how it is possible that (let’s be honest) such old man can play drums with such an energy, sing at the same time and lead the hole band. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Unbeli</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">e</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">vable</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">!</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">The guitar player Kologbo Orghene proved that obviously not anyone is able to play in Tony Allen’s group. Orghenes solos were crazy and gorgeous, technically tricky and humorous simultaneously. This guy really knows how to charm the audience. While being so charming I was amazed – how can he play the guitar while being so positive and communicating with the audience!? </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Finally, I dare to claim, that the almost four months waiting period to see and listen Tony Allen was definitely worth it. Despite the fact, that Tony Allen’s band couldn’t make it, his technique compensated it and proved that in afrobeat there is no other Tony Allen.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Laura Kivik (UT VCA Student of Cultural Management)</span></span><span lang="CS" style="font-family: "Times New Roman"; mso-ansi-language: CS;"><o:p></o:p></span></div><!--EndFragment-->Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-54711558578614175252011-12-14T16:43:00.000-08:002011-12-14T16:43:52.011-08:00Uskumatu! Eesti jazzi paremik koos afrobiidi geenius Tony Alleniga<!--StartFragment--> <br />
<div class="MsoNormal" style="line-height: normal;"><span lang="ET"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">19.12.</span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">2010</span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">, </span></b></span><span lang="ET"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Tony Allen </span></b></span><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><a href="" name="_GoBack"></a></span></b><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">ja Eesti </span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">all</span></b></span><span lang="ET"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">-star bänd, soojendusansambel Jagaspace</span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">, </span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Rock</span></b></span><span lang="ET"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> Café, Tallinn (Laura </span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kivik</span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> -</span></b></span><span lang="CS"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> </span></b></span><span lang="ET"><b><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">MuKriErikursus 2010 VKA)</span></b></span></div><div class="MsoNormal" style="line-height: normal;"><br />
</div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kaua oodatud afrobiit-staar ning vilunu trummar Tony Allen jõudis läbi raskuste 18. detsembril lõpuks Eestisse. Kaks korda edasi lükatud kontserdi ootel olid nii publik, korraldaja kui ka kunstnik ise. Kontserdi ärajäämispõhjused olid vägagi proosalised: viimasel korral oli konkreetselt süüdi ilm, mis vangistas Alleni koos bändiga Pariisi lennujaama. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
</span></span></div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"></span></span></div><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"><a name='more'></a></div></span><br />
<div class="MsoNormal" style="line-height: normal;"><br />
</div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kuid kohale ta jõudis! Ka siin ei saa rääkida asjade laitmatust käigust, sest koos Alleniga saabus Eestisse tema bändiliikmetest vaid üks, kitarrist Kologbo Orghene. Ka sel korral mängis ilm kontserdikorraldaja Helen Sildnale virgerpussi ning teistel bändiliikmetel ja Alleni bändi ametlikul helimehel õhku tõusta ei lastudki.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal" style="line-height: normal;"><br />
</div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">19. detsembri kontserdi eelõhtul oli Sildna pidevas infovahetuses Alleni enda ning tema tuurimanageriga, küsimuseks – mida teha? Kas jätta kontsert tõesti kolmandat korda ära? See otsus oli tegelikult välistatud, see oleks olnud ebaaus nii publiku kui ka lõpuks Eestisse jõudnud trummari suhtes. Teine võimalus oli uurida äkki Allen ja Kologbo on nõus kahekesi midagi laval tegema, tegu on ju siiski maailmakuulsa trummari ning väga andeka kitarristiga! Ka see plaan ei läinud läbi ning Allenilt saadi nõusolek panna kiiresti kokku Eesti muusikutest koosnev nii-öelda all-stars bänd.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal" style="line-height: normal;"><br />
</div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Algselt keeruline ülesanne kujunes tegelikkuses suhteliselt kergeks – iga muusik, kellele helistatakse eesmärgiga küsida, kas ta oleks nõus mõne tunni pärast koos Tony Alleniga Rock Café laval musitseerima, hüppaks tõenäoliselt rõõmust lakke. Nii sai ka Sildna kontserdile mängima Eesti jazzmuusika paremiku: (kontra)bassil Peedu Kass, kitarril Jaak Sooäär, saksofonidel Kristjan Mazurtchak ja Raivo Tafenau, Raun Juurikas klahvpillidel ning vokaali eest vastutas Sofia Rubina.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal" style="line-height: normal;"><br />
</div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Paar tundi enne kontserdi algust saabusid muusikud kokku, et üheskoos panna paika kava ning arutada läbi, mida täpselt mängitakse. Kui sündis plaan panna kokku Eesti muusikute all-stars bänd, oli Tony Alleni tingimuseks, et muusikud mõistaks mängida afrobiiti. Konkreetseid afrobiidi meistreid Eestist kahjuks ei leia, kuid nähes, millise vilumusega saavutasid muusikud heliproovi ajal põhitõed afromuusikast, võib öelda, et nüüd on neid meistreid mitu. Eks neil loomulikult oli ka hea õpetaja! </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal" style="line-height: normal;"><br />
</div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kontserdi soojendusesineja, idamaiste elektrooniliste mõjutustega Jagaspace oli uus ja huvitav kollektiiv, ent minu maitse jaoks natuke liiga kauge. Neil oli korralik kava ning muusikud bändis olid professionaalid, ent minu jaoks jäi midagi puudu. Ma ei ütleks, et neil jäid puudu siirusest, ent ma miskipärast ei uskunud neid, nad jäid liiga kaugeks. Minu jaoks on keeruline kuulata bände, kes on tugevalt mõjutatud teiste riikide/rahvuste muusikast, mõningad juured on lihtsalt nii tugevad, et nende jäljendamine kõlab ebasiiralt ja tundub vale. Siiski tundus saalis ringi vaadates, et Jagaspace meeldis teistele kuulajatele küll ning sai endale juurde nii mõnegi fänni! </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal" style="line-height: normal;"><br />
</div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Peaesineja lavaletulek hilines natuke, samas hilines ka soojendusesineja. Etteruttavalt võin öelda, et Alleni hilinemise kompenseeris kuhjaga tema musitseerimine laval. Ka Eesti muusikute grupeeringule võin jagada ainult kiidusõnu! Kuuldes plaanist, et Alleniga koos mängivad tuntud Eesti jazzmuusikud, võtsin juba eos natuke kahtleva hoiaku. Mitte, et ma ei respekteeriks eesti jazzmuusikuid, absoluutselt mitte! Kooslus Sooäär-Kass-Rubina-jne mõjub hoopis julgustavalt. Ent siiski ei kujutanud ma ette kuidas kõlab eesti jazzi </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">paremik</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> koos afrobiidi geenius Tony Alleniga, teades, et üheskoos said nad proovi teha kõigest paar tundi enne kontserti. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal" style="line-height: normal;"><br />
</div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kõik eelarvamused pidin ma tagasi võtma, kontsert oli suurepärane! Natukene kohatu oli alguses küll tõsiasi, et kõik eesti muusikud vaatasid laval olles kogu aeg Tony Alleni poole, jäi natuke diletantlik mulje, võib-olla muusikud natuke kartsid. Teisalt oli see kartus põhjendatud, Tony Alleni näol on tegu ikkagi staariga. Ja kui bänd on koos proovi teinud kõigest paar tundi ning esitavad lugusid, mille looja on sealsamas bändis, ei jäägi muud üle kui ohjad Alleni kätte anda ning lasta tal kogu seda ettevõtmist juhtida.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal" style="line-height: normal;"><br />
</div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Sellega sai Allen loomulikult suurepäraselt hakkama tõestades, et ta tõesti on afrobiidi staar. Mitu korda tabasin ent mõttelt, et kuidas suudab (olgem ausad!) nii vana mees nii energiliselt trumme mängida, samal ajal laulda ning silmanurgas pidevalt kogu bändi jälgida ning vajadusel neid ka juhendada. Uskumatu!</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal" style="line-height: normal;"><br />
</div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kitarrist Kologbo Orghene tõestas, et ilmselgelt ei saa Tony Alleni bändis mängida pelgalt igaüks. Orghene soolod olid korraga hullumeelsed ja suurepärased, tehniliselt keerukad ja humoorikad. Samuti teab see mees, kuidas kogu publiku silmad endale naelutada, olles laval nii karismaatiline, et tekkis ka küsimus kuidas ta kogu oma positiivse oleku ja publikuga suhtlemise kõrvalt veel laval mängida suudab!?</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal" style="line-height: normal;"><br />
</div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Lõpetuseks julgen väita, et pea neljakuune Tony Alleni ootamine tasus ennast mitmekordselt ära. Hoolimata faktist, et Alleni bändi kahjuks näha ei õnnestunud, kompenseeris vanameister selle ise oma suurepärase mängutehnikaga ning tõestades, et endiselt pole afrobiidis talle väärilist vastast!</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal" style="line-height: normal;"><br />
</div><div class="MsoNormal" style="line-height: normal;"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Laura Kivik (TÜ VKA Kultuurikorralduse tudeng)</span></span><span lang="CS" style="font-family: "Times New Roman"; mso-ansi-language: CS;"><o:p></o:p></span></div><!--EndFragment-->Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-89838656337108031892011-12-14T16:41:00.001-08:002011-12-14T16:41:51.072-08:00The heart of the Estonians that beat worthy of Maailmatrumm<!--StartFragment--> <br />
<div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b>Estonian Drum Festival, 11.–13.11.2010, “Maailmapäev” (Piia Põder - MuKriErikursus 2010 VKA)</b><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">November 11th–13th 2010 took place the first Estonian Drum Festival, which could be visited starting from the Rockcafe and finishing in the hall of the Kunstimuuseum (Art Museum). The festival began with the “Maailmapäev” (World day, in the club Rockcafe). To fill the night with crazy rhythms representatives from </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">India</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> (Arshad Khan – tablas, Pandit Mukesh Sharma – sarod), beauty and grace was added to their music by the bharatanatyam dancer Jamilia, and from Senegal (Ismaila Sane, Pape Sarr, Yamar Thiam) had been invited. In addition also Estonian Brian Melvin‘s East-West Rhythm Band performed their music. <o:p></o:p></span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
</span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"></span></span></div><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"><a name='more'></a></div></span><br />
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</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">First the audience was introduced to the Indian drum rhythms, which according to the musicians themselves, are created on the spot and according to the mood and needs of both the audience and the time. I completely understood how they try to connect to the audience and try to capture their feelings. And this would have remained unnoticed, if it had not been possible to listen to the musicians right beside the stage observing both the musicians and the audience. This gave the opportunity to perceive the trials of impressionism of the Indian musicians. With their strong but then again sincere and inviting eyes they were able to find the emotions of even people standing far back in the hall, which expectedly culminated with very calm rhythm performances. I do not find this surprising – the emotions of Estonians grow still and always first in their heads and only when they have found enough courage inside, they will allow these feelings to carry and guide themselves. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">When the first connection between the Indian musicians and the Estonian audience was established, the bharatanatyami dancer Jamilia entered the stage, who with her already mentioned grace and beauty brought the rhythms of the tablas to the audience in an even more illustrative manner. An extra value was definitely added with the video art of Hille Karm, which supported the audience to imagine themselves into another part of the world and to feel to be carried by the rhythms to that exact place visually as well. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Relatively calmly, and to be precise physically calmly, the effect of the performance of the Indian musicians influenced the audience. Yes, I mention physical calmness because the following Senegal musicians turned the wellknown Estonian equanimity upside down. The edged, hot, passionate and captivating performance of these men whirled in my mind and tried to find a way out, and indeed they found. Some of the listeners found an application for these enormous and splendid emotions – dancing, in its most emotional form. The audience was surrendered to their feelings – hands, feet, heads – everything which the man is created to physiologically move, got moved. The time interval of the Senegal performance was unknown for me because euphoria did not give an opportunity to perceive time, it all seemed as if ten minutes of the best musical experience of my life are happening. Later on, checking the programme I saw that Senegal was on the stage for nearly one hour. Albert Einstein is right apprehending this time situation as follwed: “Physical time is what you read from your clock”. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Fortunately after the performance of the Senegal musicians Brian Melvin‘s Estonian/USA collective East-West Rhythm Band entered the stage, who, with their mild rhythms, balanced the heated audience. In comparison with traditional western music pieces also this concert had its introduction and exposition (India), working out and culmination (Senegal), followed by a recapitulation or conclusion (Eesti/USA). But after the performance of the Brian Melvin’s band, the structure of the concert changed categorically – the audience was given an unexpected second and third culmination. Jam-Session. Three groups, three different worldviews and one big and „fiery ball of rhythm“, which was thrown from one musician to another – it scattered pieces of rhythm, like „sparks“. Those sparks flew to the audience and refused to fade out. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">I am absolutely certain, that for Estonians it was necessary to build up their emotions, then let them flow and by doing this achieve the feeling of contentment for days, not to say for weeks. Thank you musicians, with your drum rhythms you melted the icy Estonians and reminded us that in the right place body language is a very powerful tool. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Piia Põder (UT VCA Student of Cultural Management)</span></span><span lang="CS" style="mso-ansi-language: CS;"><o:p></o:p></span></div><!--EndFragment-->Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-25117758519051843062011-12-14T16:40:00.000-08:002011-12-14T16:40:07.848-08:00Eestlaste Süda, mis peksis Maailmatrummi vääriliselt<!--StartFragment--> <br />
<div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b>„Maailmatrumm“, 11.–13.11.2010, „Maailmapäev“, Rock Café, Tallinn (Piia Põder - MuKriErikursus 2010 VKA) </b><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">11.–13. novembril 2010 toimus Tallinnas esimene trummifestival „Maailmatrumm“, mida sai külastada alustades Rock Café‘st ja lõpetades Kunstimuuseumi saaliga. Trummifestival alustas „Maailmapäevaga“ (klubis Rock Café). Õhtut meeldivalt pööraste rütmidega olid täitma kutsutud esindajad Indiast (Arshad Khan – tablad, Pandit Mukesh Sharma – sarod), kelle muusikale lisas ilu ja graatsiat bharatanatyami tantsija Jamilia, Senegalist (Ismaila Sane, Pape Sarr, Yamar Thiam. Lisaks Eesti Brian Melvini East-West Rhythm Band.<o:p></o:p></span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
</span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"></span></span></div><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"><a name='more'></a></div></span><br />
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</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Esimesena toodi publikuni India trummirütmid, mis muusikute endi sõnade kohaselt sünnivad kohapeal ja vastavalt publiku meeleolule ning vajadustele, mis on seotud ka ühtlasi ragade kellaaegadega. Sain väga täpselt aru, kuidas nad publikuga kontakti hoidsid ja nende tundeid tabada püüsid. Ja ega seda olukorda polekski märganud, kui kontserdi paigas poleks olnud võimalik kuulata muusikuid lava kõrval, näoga publiku poole. See andis võimaluse jälgida India muusikute püüdu jäljendada hetkel inimesi valdavaid emotsioone oma muusikainstrumentidega. Nad leidsid oma teravate, kuid samas siiraste ja kutsuvate silmadega üles ka saali kõige kaugema inimese emotsioonid, mis peegeldati muusikute poolt kuulajatele väga rahulike rütmiesitustega. Ma ei pane seda imeks – ega eestlase emotsioon kasvab ikka ja alati algul tema peas ja alles siis, kui ta on endas piisava julguse leidnud lubab ta neil tunnetel end kanda ja juhtida. Antud väide saigi kinnituse paar lugu enne India muusikute lõpetamist, kui saalis oli näha ja tunda publiku avanemist – toolidelt hakati tõusma ja rütmikalt kaasa aplodeerima. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Kui esmane tunnetus oli India muusikute ja Eesti publiku vahel saavutatud, toodi lavale bharatanatyami tantsija Jamilia, kes oma juba mainitud graatsia ja iluga tablade rütmid veelgi ilmekamal kombel vaatajatele ja kuulajatele illustreeris. Lisaväärtust andis kindlasti Hille Karmi videokujundus, mis aitas publikul ennast mõelda vastavasse maailmaosasse ja tunda ennast muusikarütmidest kantuna just õigesse kohta ka visuaalselt. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">India muusikute etteaste mõjus publikule rahustavalt just füüsilisest poolest. Jah, mainin just füüsilist rahulikkust kuna järgmisena lavale asunud Senegali muusikud pöörasid eelpool mainitud eestlasliku tasakaalukuse pöördvõrdeliseks. Terav, kuum, kirglik ja kütkestav on need omadussõnad, mis nende meeste esituse ajal peas pööritasid ja otsisid pingsalt väljapääsu ning selle nad ka leidsid. Mõni kuulaja oli minust enne rakenduse oma suurtele ja uhketele emotsioonidele avastanud – tantsimine, kõige tundelisemas vormis. Rahvas oli alistatud oma tunnetele – käed, jalad, pead – kõik, mida inimene on loodud füsioloogiliselt liigutama sai oma eesmärgi. Senegali esituse aeg pole mulle teada, kuna eufooria ei andnud ajatajule võimalust, sest see kõik tundus olevat nagu kümme minutit parimat muusikalist elamust mu elus. Hiljem kava üle vaadates sain teada, et Senegal oli laval terve tunni. Siinkohal on paslik tsiteerida Albert Einsteini, kes on tabanud täpselt antud aja situatsiooni: „Füüsiline aeg on see, mida te loete oma kellalt“.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Õnneks oli peale Senegali lavale ennast valmis seadnud Brian Melvini Eesti/USA kollektiiv East-West Rhythm Band, kes oma mahedate rütmidega inimesed taas tasakaaluni viisid. Nende puhul on kindlasti oluline välja tuua asjaolu, et tegemist oli autoriloomingu esitusega, mis eristabki viimast kollektiivi eelmisest kahest, kuna nii India kui ka Senegal tõid kuulajate ja vaatajateni pigem oma rahvamuusikat.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Siin arvustatud kontsert võiski võrrelda traditsioonilise Õhtumaade muusikateose ülesehitusega, mis omab samuti sissejuhatust ja teemade tutvustus (India muusika), teemaarendust ja kulminatsiooni (Senegali muusika) ning sellele järgnevat repriisi ehk kokkuvõtet (Eesti/USA kollektiiv). Kuid peale Melvini ansambli esitust muutus traditsiooniline kontserdiülesehitus kategooriliselt – publik sai osaliseks lausa kahele uuele ja ootamatule lisakulminatsioonile. Jam-Session. Kolm koosseisu, kolm maailmavaadet ning üks suur ja tuline rütmikera, mida omavahel muusikult muusikule visati – see pillutas rütmikilde, sädemeid. Need „sädemed“ lendasid kuulajateni ja ei tahtnud enam kustuda. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Olen täiesti kindel, et eestlastele oli hädavajalik koguda oma emotsioone, lasta neil siis voolata ja seeläbi saavutada mitmeks päevaks, et mitte öelda nädalaks, rahulolu tunne. Aitäh teile muusikud, kes te justkui jäätunud eestlaste emotsioonid oma trummirütmidega üles soojendasite ja meelde tuletasite, et kehakeel on õiges kohas väga võimas relv. <o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Piia Põder (TÜ VKA Kultuurikorralduse tudeng)</span><o:p></o:p></span></div><!--EndFragment-->Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0tag:blogger.com,1999:blog-8240270617796608534.post-39607136052921905162011-12-14T16:39:00.000-08:002011-12-14T16:39:06.527-08:00Dagö's old and new plans<!--StartFragment--> <br />
<div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><b>10.12.2010, Dagö, Viljandi Dark Nights Filmfestival 10th anniversary, club Puhas Kuld (Pure Gold) (Liisa Kaha - MuKriErikursus 2010 VKA)</b><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Dagö's sixth album „Plaan Delta“ is going to come out next spring. This autumn-</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">winter</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> there were some concerts where all curious fans could check out new marterial included into the album. As a matter of fact, Dagö hasn't given any concerts for quite a long time and the concerts included quite many songs from the old albums. I visited the concert in Viljandi. Dagö was visiting the city for the Tallinn Dark Nights Festival PÖFF (with special events also in smaller towns like Viljandi), that was having its 10th birthday, so some of the audience had their colourful birthday hats on.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><br />
</span></span></div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"></span></span></div><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><div style="font: 12.0px Helvetica; margin: 0.0px 0.0px 0.0px 0.0px;"><a name='more'></a></div></span><br />
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</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">First eleven songs played were new, so the audience was devided struggled with watching and listening to the unpublished material, the last song of the album isn't clear yet even for the band members themself. Hearing new songs before releasing is always a bit exclusive. When Dagö reached playing some older songs, people started to sing along and dancing. The crowd proved the figure of speech about Estonians: at first it is hard to get started and after hard to hold on. During one song dedicated to the Viljandi Folk festival the singer Lauri Saatpalu energetically told the crowd to raise their hands and make some noise, but the effect started only when the song came to the end. Dagö is always good to see on stage, they have catching rhythm and lyrics. So some of the audience started humming along the song „Šveits“ („Switzerland“) without even noticing it and Dagö was called back for two extra songs. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">For a new album Dagö has new band members, that fresh up the performance of the old songs as well. Dagö wouldn't be Dagö without the singer Lauri Saatpalu, next to him remained as old member guitar player Peeter Rebane. The new young musicians of the band are Kristjan Priks (drums), Tarvi Kull (synth) and Henno Kelp (base guitar). The band is professional and enjoyable on the stage, at the same time helping to stick out Lauri Saatpalu's figural performance.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Dagö's bigwig Lauri Saatpalu has a very special voice, his dramatic and expressive being on the stage has always been interesting for me to observe. Although, considering aformentioned characteristics I can understand why some won't like him – maybe because of his strong and throaty voice, gestures, humor and slight irony. Some may not like it but a lot of us do. The lyrics of Dagö‘s music have always been playful, I could even say enchanting. For instance one of the new song lyrics haunted </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">me</span></span><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"> for a while: With you I could maybe... May be. Maybe? The material of the new album is exactly what one was suppose to expect, there were no big suprises. The sound and the themes are those we are used to, this is what the Dagö fans are waiting for. On „Plaan Delta“ there are going to be various stories, some of their themes are almost „traditional“: food, love, different places... The last theme is „in the nature“ of the band – Dagö is also the historical name for the beautiful island Hiiumaa in Estonia. Places seems to be a good inspiration for the band.</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Of course, first contact with the new material was too brief to give a detailed statement/analysis. After the concert I would of been glad to hear the new songs again at home. I have to say that the sound quality was really good, I wan't expecting it from this club. Also I was glad that the person I visited the concert with expirienced a good suprise comparing to previous quite negative prejudice about Dagö. </span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">I've noticed that I tend to listen to Dagö in the spring and summer, but this concert was excellent in the snowy winter time also. So my smile from the concert/remained even the next day when I put on my headphones and listened to the old good Dagö.<o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><span lang="ET"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;">Liisa Kaha (UT VCA Student of Cultural Management)</span></span><span lang="CS"><span class="Apple-style-span" style="font-family: Verdana, sans-serif;"><o:p></o:p></span></span></div><div class="MsoNormal"><br />
</div><!--EndFragment-->Muusikaarvustajahttp://www.blogger.com/profile/12106063729531040108noreply@blogger.com0